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25 First, Last and Always

How Post-Punk Leeds Created Goth and The Sisters Of Mercy
  • John Robb
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The art of darkness
This chapter is in the book The art of darkness

Abstract

The Sisters of Mercy firmly rejected the label goth, but if they were not a goth band who were? This chapter looks at group and the city that spawned them. Leeds in the 1970s and 1980s was the bastion of a ‘dark alternative’ culture, thanks in part to the Phonographique club. The Sisters of Mercy embodied all its intrigue and contradictions, fusing rock music with a sort of dislocated disco. Their music was stark and haunting, and it found an ideal frontman in Andrew Eldritch, a brooding Romantic poet who used his lack of conventional musical knowledge to his advantage. The Sisters split up in 1986, but Leeds remained a hub of musical activity, producing exciting acts such as The March Violets and Red Lorry Yellow Lorry.

Abstract

The Sisters of Mercy firmly rejected the label goth, but if they were not a goth band who were? This chapter looks at group and the city that spawned them. Leeds in the 1970s and 1980s was the bastion of a ‘dark alternative’ culture, thanks in part to the Phonographique club. The Sisters of Mercy embodied all its intrigue and contradictions, fusing rock music with a sort of dislocated disco. Their music was stark and haunting, and it found an ideal frontman in Andrew Eldritch, a brooding Romantic poet who used his lack of conventional musical knowledge to his advantage. The Sisters split up in 1986, but Leeds remained a hub of musical activity, producing exciting acts such as The March Violets and Red Lorry Yellow Lorry.

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