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2 Silent Holmes

The Stoll Film Company’s The Adventures of Sherlock Holmes
  • James Chapman
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Screening Sherlock
Ein Kapitel aus dem Buch Screening Sherlock

Abstract

Chapter 2 considers other silent films, including series by Nordisk Films of Denmark and Éclair films of Paris, and two feature-length films produced in Britain in 1914 and 1916 by the Samuelson Film Company, now considered ‘lost’. The focus is on the Stoll Film Company’s series of the early 1920s starring Eille Norwood: forty-five shorts and two features – The Hound of the Baskervilles (1921) and The Sign of Four (1923) – which are regarded as among the most authentic adaptations. Doyle saw the films and approved. The Stoll films can be seen as part of a project to promote British culture (‘Eminent British Authors’) at a time when American films enjoyed a cultural and economic hegemony in Britain. The chapter also includes an analysis of the rediscovered late silent German film of The Hound of the Baskervilles (1929).

Abstract

Chapter 2 considers other silent films, including series by Nordisk Films of Denmark and Éclair films of Paris, and two feature-length films produced in Britain in 1914 and 1916 by the Samuelson Film Company, now considered ‘lost’. The focus is on the Stoll Film Company’s series of the early 1920s starring Eille Norwood: forty-five shorts and two features – The Hound of the Baskervilles (1921) and The Sign of Four (1923) – which are regarded as among the most authentic adaptations. Doyle saw the films and approved. The Stoll films can be seen as part of a project to promote British culture (‘Eminent British Authors’) at a time when American films enjoyed a cultural and economic hegemony in Britain. The chapter also includes an analysis of the rediscovered late silent German film of The Hound of the Baskervilles (1929).

Heruntergeladen am 31.10.2025 von https://www.degruyterbrill.com/document/doi/10.7765/9781526176646.00010/html
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