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Introduction

  • James Chapman
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Screening Sherlock
This chapter is in the book Screening Sherlock

Abstract

The Introduction sets out the scope and methodological framework of Screening Sherlock. It summarises the existing critical literature on Holmes film and television adaptations, and lays out the four broad categories into which they fall: faithful adaptations of the canonical texts; Holmes pastiches that draw upon specific incidents and characters without being tied to specific stories; narratives that use archetypal elements of Holmes’s world to create entirely new stories; and parodies and spoofs that highlight the generic conventions and motifs of the Holmes stories for comic effect. The Introduction argues that Screening Sherlock seeks to break from the mantra of strict textual fidelity that has informed previous Holmesian scholarship.

Abstract

The Introduction sets out the scope and methodological framework of Screening Sherlock. It summarises the existing critical literature on Holmes film and television adaptations, and lays out the four broad categories into which they fall: faithful adaptations of the canonical texts; Holmes pastiches that draw upon specific incidents and characters without being tied to specific stories; narratives that use archetypal elements of Holmes’s world to create entirely new stories; and parodies and spoofs that highlight the generic conventions and motifs of the Holmes stories for comic effect. The Introduction argues that Screening Sherlock seeks to break from the mantra of strict textual fidelity that has informed previous Holmesian scholarship.

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