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1. Production Screens in the Long 1930s: Rear Projection and Special Effects
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Ariel Rogers
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS vii
- INTRODUCTION 1
- 1. Production Screens in the Long 1930s: Rear Projection and Special Effects 19
- 2. Theatrical Screens, 1926– 1931: Transforming the Screen 58
- 3. Theatrical Screens, 1931– 1940: Integrating the Screen 88
- 4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit 140
- Coda: Multiplicity, Immersion, and the New Screens 196
- Notes 211
- Bibliography 267
- Index 285
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS vii
- INTRODUCTION 1
- 1. Production Screens in the Long 1930s: Rear Projection and Special Effects 19
- 2. Theatrical Screens, 1926– 1931: Transforming the Screen 58
- 3. Theatrical Screens, 1931– 1940: Integrating the Screen 88
- 4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit 140
- Coda: Multiplicity, Immersion, and the New Screens 196
- Notes 211
- Bibliography 267
- Index 285
