Notes

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. ACKNOWLEDGMENTS vii
4. INTRODUCTION 1
5. 1. Production Screens in the Long 1930s: Rear Projection and Special Effects 19
6. 2. Theatrical Screens, 1926– 1931: Transforming the Screen 58
7. 3. Theatrical Screens, 1931– 1940: Integrating the Screen 88
8. 4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit 140
9. Coda: Multiplicity, Immersion, and the New Screens 196
10. Notes 211
11. Bibliography 267
12. Index 285