INTRODUCTION

Ariel Rogers

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INTRODUCTION

Ariel Rogers

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Rogers, Ariel. "INTRODUCTION". On the Screen: Displaying the Moving Image, 1926–1942, New York Chichester, West Sussex: Columbia University Press, 2019, pp. 1-18. https://doi.org/10.7312/roge18884-002

Rogers, A. (2019). INTRODUCTION. In On the Screen: Displaying the Moving Image, 1926–1942 (pp. 1-18). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/roge18884-002

Rogers, A. 2019. INTRODUCTION. On the Screen: Displaying the Moving Image, 1926–1942. New York Chichester, West Sussex: Columbia University Press, pp. 1-18. https://doi.org/10.7312/roge18884-002

Rogers, Ariel. "INTRODUCTION" In On the Screen: Displaying the Moving Image, 1926–1942, 1-18. New York Chichester, West Sussex: Columbia University Press, 2019. https://doi.org/10.7312/roge18884-002

Rogers A. INTRODUCTION. In: On the Screen: Displaying the Moving Image, 1926–1942. New York Chichester, West Sussex: Columbia University Press; 2019. p.1-18. https://doi.org/10.7312/roge18884-002

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Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION 1
1. Production Screens in the Long 1930s: Rear Projection and Special Effects 19
2. Theatrical Screens, 1926– 1931: Transforming the Screen 58
3. Theatrical Screens, 1931– 1940: Integrating the Screen 88
4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit 140
Coda: Multiplicity, Immersion, and the New Screens 196
Notes 211
Bibliography 267
Index 285

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https://doi.org/10.7312/roge18884-002

Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION 1
1. Production Screens in the Long 1930s: Rear Projection and Special Effects 19
2. Theatrical Screens, 1926– 1931: Transforming the Screen 58
3. Theatrical Screens, 1931– 1940: Integrating the Screen 88
4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit 140
Coda: Multiplicity, Immersion, and the New Screens 196
Notes 211
Bibliography 267
Index 285

INTRODUCTION

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