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Introduction

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"Introduction". Music Discourse from Classical to Early Modern Times: Editing and Translating Texts, edited by Maria Rika Maniates, Toronto: University of Toronto Press, 1997, pp. vii-xii. https://doi.org/10.3138/9781442677463-002

(1997). Introduction. In M. Maniates (Ed.), Music Discourse from Classical to Early Modern Times: Editing and Translating Texts (pp. vii-xii). Toronto: University of Toronto Press. https://doi.org/10.3138/9781442677463-002

1997. Introduction. In: Maniates, M. ed. Music Discourse from Classical to Early Modern Times: Editing and Translating Texts. Toronto: University of Toronto Press, pp. vii-xii. https://doi.org/10.3138/9781442677463-002

"Introduction" In Music Discourse from Classical to Early Modern Times: Editing and Translating Texts edited by Maria Rika Maniates, vii-xii. Toronto: University of Toronto Press, 1997. https://doi.org/10.3138/9781442677463-002

Introduction. In: Maniates M (ed.) Music Discourse from Classical to Early Modern Times: Editing and Translating Texts. Toronto: University of Toronto Press; 1997. p.vii-xii. https://doi.org/10.3138/9781442677463-002

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Frontmatter i
Contents v
Members of the Conference vi
Introduction vii
Fidelities and Infidelities in Translating Early Music Theory 1
Editing Ademar de Chabannes’ Liturgy for the Feast of Saint Martial 17
Editing and Translating Medieval Arabic Writings on Music 45
Preparing Editions and Translations of Humanist Treatises on Music: Franchino Gaffurio’s Theorica Musice (1492) 71
The Translator as Interpreter: Euclid’s Sectio canonis and Ptolemy's Harmonica in the Latin Tradition 97
Backmatter 155

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https://doi.org/10.3138/9781442677463-002

Kapitel in diesem Buch

Frontmatter i
Contents v
Members of the Conference vi
Introduction vii
Fidelities and Infidelities in Translating Early Music Theory 1
Editing Ademar de Chabannes’ Liturgy for the Feast of Saint Martial 17
Editing and Translating Medieval Arabic Writings on Music 45
Preparing Editions and Translations of Humanist Treatises on Music: Franchino Gaffurio’s Theorica Musice (1492) 71
The Translator as Interpreter: Euclid’s Sectio canonis and Ptolemy's Harmonica in the Latin Tradition 97
Backmatter 155

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Introduction

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