Cosmos and creativity: Man in an evolving universe as a creative, aesthetical agent — some Peircean remarks
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Bent Sørensen
,
Søren Brier
Abstract
Any great new theoretical framework has an epistemological and an ontological aspect to its philosophy as well as an axiological one, and one needs to understand all three aspects in order to grasp the deep aspiration and idea of the theoretical framework. Presently, there is a widespread effort to understand C. S. Peirce's (1837–1914) pragmaticistic semeiotic, and to develop it by integrating the results of modern science and evolutionary thinking; first, producing a biosemiotics and, second, by integrating it with the progress in cybernetics, information science, and system theory to create a cybersemiotics.
In this paper, we focus on the understanding of the evolution of the universe that Peirce produced as an alternative to the mechanistic view underlying classical physics and try to place man in an evolving universe as a creative, aesthetical agent. It is true that modern non-equilibrium physics has made a modern foundation for a profound physical understanding of the basic evolutionary processes in the universe. But science still has not produced a theory that can explain how the creativity of the universe could produce signification, interpretation, and first-person consciousness. To this end, Peirce's thoughts on agapastic evolution coupled with the aesthetical influence of the growth of ideas and reasonableness on man could make a contribution.
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston
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- Blending in mathematics
- Film as specific signifying practice: A rational reconstruction of Stephen Heath's “On screen, in frame: Film and ideology”
- Quarantine
- An inconvenient truth? Can a film really affect psychological mood and our explicit attitudes towards climate change?
- Crime and punishment: An analysis of university plagiarism policies
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- Cosmos and creativity: Man in an evolving universe as a creative, aesthetical agent — some Peircean remarks
- Nonwestern semiotics and its possible impact on the composition of semiotics theory in the future
- IT terminology, translation, and semiotic levels: Cultural, lexicographic, and linguistic problems
- Formation of interpretants in Roentgen semiotics
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- An excess of signification: Or, what is an event?
- The illustration of beauty: Super-exposed in the U.S., veiled in Iran
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- Compound constructions: Waterproof three-storey brick and tile fire stations?
