Artikel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
Reading movies as interactive messages: A proposal for a new method of analysis
-
Arianna Maiorani
Veröffentlicht/Copyright:
29. September 2011
Abstract
This article proposes a method to analyze movies at a sequence level in dynamic terms based on the functional framework of analysis derived from systemic functional linguistics and developed by multimodal discourse analysis, and which focuses on the use of locative Circumstances as affordances implicitly selecting changes of perspective.
The two perspectives that will be taken into consideration have been elaborated through the study of how human presence is construed in hyper-environments and how this construal affects the web user's degree of involvement. A parallel between the creation of hyper-environments and the creation of a movie is therefore also proposed.
Published Online: 2011-09-29
Published in Print: 2011-October
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Artikel in diesem Heft
- Blending in mathematics
- Film as specific signifying practice: A rational reconstruction of Stephen Heath's “On screen, in frame: Film and ideology”
- Quarantine
- An inconvenient truth? Can a film really affect psychological mood and our explicit attitudes towards climate change?
- Crime and punishment: An analysis of university plagiarism policies
- The materiality of discourses and the semiotics of materials: A social perspective on the meaning potentials of written texts and furniture
- Reading movies as interactive messages: A proposal for a new method of analysis
- Fame and politics: The persuasive poetics of leadership
- Cosmos and creativity: Man in an evolving universe as a creative, aesthetical agent — some Peircean remarks
- Nonwestern semiotics and its possible impact on the composition of semiotics theory in the future
- IT terminology, translation, and semiotic levels: Cultural, lexicographic, and linguistic problems
- Formation of interpretants in Roentgen semiotics
- Automation of the linguistic translation processes: A study on viability
- An excess of signification: Or, what is an event?
- The illustration of beauty: Super-exposed in the U.S., veiled in Iran
- A novel semio-mathematical technique for excavating themes out of group dynamics
- Compound constructions: Waterproof three-storey brick and tile fire stations?
Artikel in diesem Heft
- Blending in mathematics
- Film as specific signifying practice: A rational reconstruction of Stephen Heath's “On screen, in frame: Film and ideology”
- Quarantine
- An inconvenient truth? Can a film really affect psychological mood and our explicit attitudes towards climate change?
- Crime and punishment: An analysis of university plagiarism policies
- The materiality of discourses and the semiotics of materials: A social perspective on the meaning potentials of written texts and furniture
- Reading movies as interactive messages: A proposal for a new method of analysis
- Fame and politics: The persuasive poetics of leadership
- Cosmos and creativity: Man in an evolving universe as a creative, aesthetical agent — some Peircean remarks
- Nonwestern semiotics and its possible impact on the composition of semiotics theory in the future
- IT terminology, translation, and semiotic levels: Cultural, lexicographic, and linguistic problems
- Formation of interpretants in Roentgen semiotics
- Automation of the linguistic translation processes: A study on viability
- An excess of signification: Or, what is an event?
- The illustration of beauty: Super-exposed in the U.S., veiled in Iran
- A novel semio-mathematical technique for excavating themes out of group dynamics
- Compound constructions: Waterproof three-storey brick and tile fire stations?
