The “material function” in cinema: Resolving the paradox of the glitch
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Michael Betancourt
Abstract
Glitches pose expressive challenges for digital motion pictures. These problematics reveal a “material function” that determines their identification and prescribes their semantics on-screen. These issues of materiality are familiar from the ideological critiques of avant-garde film in the 1970s, but have not been explored in relation to the semiotics of digital cinema. Developing an understanding of these problematics shows the complex problematics of using glitches for critical and expressive purposes in motion pictures.
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Articles in the same Issue
- Frontmatter
- Research Articles
- Covenantal trust and semioethics: A reflection on interpersonal and intercultural summoning
- The semeiotic self
- Peirce’s diagrammatic reasoning and the cinema: Image, diagram, and narrative in The Shape of Water
- The three approaches to the semiotics of power
- Musical meaning and indexicality in the analysis of ceremonial mbira music
- The intersemiotic affordances of photography and poetry
- Graphic analogies in the imitation of music in literature
- Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power
- Smart objects in daily life: Tackling the rise of new life forms in a semiotic perspective*
- The dagoba and the gopuram: A semiotic contrastive study of the Sinhalese Buddhist and Tamil Hindu cultures
- The Selfish Meme: Dawkins, Peirce, Freud
- Towards a semiotic model of interlingual translation
- Intermedial references and signification: Perception versus conception
- The “material function” in cinema: Resolving the paradox of the glitch
- Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow”
- Time embodied as space in graphic narratives: A study in applied Peircean semiotics
- The origin of editorial images: Recycling, culture, and cognition
- Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework
- On the origins of semiosic translation, the role of semiosis in translation and translating and the nature of sign systems: Response to Jia
- Special section: A sociosemiotic exploration of identity and discourse (Le Cheng, Ning Ye and David Machin, guest eds.)
- Introduction: A sociosemiotic exploration of identity and discourse
- The misleading nature of flow charts and diagrams in organizational communication: The case of performance management of preschools in Sweden
- A tentative analysis of legal terminology diachronic changes and the problem of communication effectiveness in legal settings
- Re-exploring Language development and identity construction of Hui nationality in China: a sociosemiotic perspective
- Evidentiality of court judgments in the People’s Republic of China: A semiotic perspective
Articles in the same Issue
- Frontmatter
- Research Articles
- Covenantal trust and semioethics: A reflection on interpersonal and intercultural summoning
- The semeiotic self
- Peirce’s diagrammatic reasoning and the cinema: Image, diagram, and narrative in The Shape of Water
- The three approaches to the semiotics of power
- Musical meaning and indexicality in the analysis of ceremonial mbira music
- The intersemiotic affordances of photography and poetry
- Graphic analogies in the imitation of music in literature
- Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power
- Smart objects in daily life: Tackling the rise of new life forms in a semiotic perspective*
- The dagoba and the gopuram: A semiotic contrastive study of the Sinhalese Buddhist and Tamil Hindu cultures
- The Selfish Meme: Dawkins, Peirce, Freud
- Towards a semiotic model of interlingual translation
- Intermedial references and signification: Perception versus conception
- The “material function” in cinema: Resolving the paradox of the glitch
- Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow”
- Time embodied as space in graphic narratives: A study in applied Peircean semiotics
- The origin of editorial images: Recycling, culture, and cognition
- Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework
- On the origins of semiosic translation, the role of semiosis in translation and translating and the nature of sign systems: Response to Jia
- Special section: A sociosemiotic exploration of identity and discourse (Le Cheng, Ning Ye and David Machin, guest eds.)
- Introduction: A sociosemiotic exploration of identity and discourse
- The misleading nature of flow charts and diagrams in organizational communication: The case of performance management of preschools in Sweden
- A tentative analysis of legal terminology diachronic changes and the problem of communication effectiveness in legal settings
- Re-exploring Language development and identity construction of Hui nationality in China: a sociosemiotic perspective
- Evidentiality of court judgments in the People’s Republic of China: A semiotic perspective
