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The semeiotic self
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Ru Sabre
Published/Copyright:
October 14, 2020
Abstract
The self is presented as a semeiotic matrix with the three categories each articulated with a fitting semeiosis.
Keywords: self; Charles Sanders Peirce; Carlo Rovelli; 10 classes of sign; semeiotic matrix; pencil sketching; high jumping; classical guitar performance; self knowledge
References
Buchler, Justus. 1955. Philosophical writings of Peirce. New York: Dover.Search in Google Scholar
Colapietro, Vincent Michael. 1989. Peirce’s approach to the self: A semiotic perspective on human subjectivity. Albany: State University of New York Press.Search in Google Scholar
Lieb, Irwin C. (ed.). 1953. Charles S. Peirce’s letters to Lady Welby. New Haven: Whitlock’s.Search in Google Scholar
Rovelli, Carlo. 2016. Seven brief lessons on physics. Simon Carnell & Erica Segre (trans.). New York: Riverhead.Search in Google Scholar
Watson, Ernest W. 1978. Ernest W. Watson’s course in pencil sketching: Four books in one. New York: Van Nostrand Reinhold.Search in Google Scholar
Published Online: 2020-10-14
Published in Print: 2020-12-16
© 2020 Walter de Gruyter GmbH, Berlin/Boston
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Keywords for this article
self;
Charles Sanders Peirce;
Carlo Rovelli;
10 classes of sign;
semeiotic matrix;
pencil sketching;
high jumping;
classical guitar performance;
self knowledge
Articles in the same Issue
- Frontmatter
- Research Articles
- Covenantal trust and semioethics: A reflection on interpersonal and intercultural summoning
- The semeiotic self
- Peirce’s diagrammatic reasoning and the cinema: Image, diagram, and narrative in The Shape of Water
- The three approaches to the semiotics of power
- Musical meaning and indexicality in the analysis of ceremonial mbira music
- The intersemiotic affordances of photography and poetry
- Graphic analogies in the imitation of music in literature
- Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power
- Smart objects in daily life: Tackling the rise of new life forms in a semiotic perspective*
- The dagoba and the gopuram: A semiotic contrastive study of the Sinhalese Buddhist and Tamil Hindu cultures
- The Selfish Meme: Dawkins, Peirce, Freud
- Towards a semiotic model of interlingual translation
- Intermedial references and signification: Perception versus conception
- The “material function” in cinema: Resolving the paradox of the glitch
- Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow”
- Time embodied as space in graphic narratives: A study in applied Peircean semiotics
- The origin of editorial images: Recycling, culture, and cognition
- Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework
- On the origins of semiosic translation, the role of semiosis in translation and translating and the nature of sign systems: Response to Jia
- Special section: A sociosemiotic exploration of identity and discourse (Le Cheng, Ning Ye and David Machin, guest eds.)
- Introduction: A sociosemiotic exploration of identity and discourse
- The misleading nature of flow charts and diagrams in organizational communication: The case of performance management of preschools in Sweden
- A tentative analysis of legal terminology diachronic changes and the problem of communication effectiveness in legal settings
- Re-exploring Language development and identity construction of Hui nationality in China: a sociosemiotic perspective
- Evidentiality of court judgments in the People’s Republic of China: A semiotic perspective
