Graphic analogies in the imitation of music in literature
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Rodrigo Guijarro Lasheras
Abstract
Music may have a strong influence on literature. Many novels have reflected this by thematizing music in many different ways. However, this engagement can also adopt the form of an imitation or a formal presence that does not actually require the text to say anything about music. This paper aims to explore some aspects of musical imitation in literature that have not been analyzed in depth. Departing from the approach developed by Werner Wolf, I propose a distinction between imitating and imitated elements that applies to any case of study. Furthermore, at the core of this article, I advocate for a fourth dimension that the imitation of music in literature may have and that should be added to word music, formal and structural analogies, and imaginary content analogies. I call this fourth category “graphic analogies.” It implies an imitation whose imitating element is the graphic, written aspect of the linguistic signifier. Finally, this leads to the idea that, in the case of the imitation of music in literature, there is not a necessary correlation between imitating and imitated elements.
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Articles in the same Issue
- Frontmatter
- Research Articles
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- The semeiotic self
- Peirce’s diagrammatic reasoning and the cinema: Image, diagram, and narrative in The Shape of Water
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- Musical meaning and indexicality in the analysis of ceremonial mbira music
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Articles in the same Issue
- Frontmatter
- Research Articles
- Covenantal trust and semioethics: A reflection on interpersonal and intercultural summoning
- The semeiotic self
- Peirce’s diagrammatic reasoning and the cinema: Image, diagram, and narrative in The Shape of Water
- The three approaches to the semiotics of power
- Musical meaning and indexicality in the analysis of ceremonial mbira music
- The intersemiotic affordances of photography and poetry
- Graphic analogies in the imitation of music in literature
- Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power
- Smart objects in daily life: Tackling the rise of new life forms in a semiotic perspective*
- The dagoba and the gopuram: A semiotic contrastive study of the Sinhalese Buddhist and Tamil Hindu cultures
- The Selfish Meme: Dawkins, Peirce, Freud
- Towards a semiotic model of interlingual translation
- Intermedial references and signification: Perception versus conception
- The “material function” in cinema: Resolving the paradox of the glitch
- Extending the embodied semiotic square: A cultural-semantic analysis of “Follow your Arrow”
- Time embodied as space in graphic narratives: A study in applied Peircean semiotics
- The origin of editorial images: Recycling, culture, and cognition
- Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework
- On the origins of semiosic translation, the role of semiosis in translation and translating and the nature of sign systems: Response to Jia
- Special section: A sociosemiotic exploration of identity and discourse (Le Cheng, Ning Ye and David Machin, guest eds.)
- Introduction: A sociosemiotic exploration of identity and discourse
- The misleading nature of flow charts and diagrams in organizational communication: The case of performance management of preschools in Sweden
- A tentative analysis of legal terminology diachronic changes and the problem of communication effectiveness in legal settings
- Re-exploring Language development and identity construction of Hui nationality in China: a sociosemiotic perspective
- Evidentiality of court judgments in the People’s Republic of China: A semiotic perspective
