Intrasemiotic translation in the emulations of ancient art: On the example of the collections of the University of Tartu Art Museum

References

Anderson, Jaanika. 2015. Reception of ancient art: The Cast collections of the University of Tartu art museum in the historical, ideological and academic context of Europe (1803–1918). Tartu: Tartu Ülikooli Kirjastus dissertation.Search in Google Scholar

Bartman, Elizabeth. 1992. Ancient sculptural copies in miniature (Columbia Studies in the Classical Tradition 19). Leiden: E. J. Brill.10.1163/9789004450899Search in Google Scholar

Beard, Mary & John Henderson. 2001. Classical art: From Greece to Rome. Oxford: Oxford University Press.Search in Google Scholar

Benhamou, F. & V. Ginsburgh. 2006. Copies of artworks: The case of paintings and prints. In V. Ginsburgh & D. Throsby (eds.), Handbook of the economics of art and culture, 253–283. Amsterdam: North-Holland/Elsevier.10.1016/S1574-0676(06)01008-8Search in Google Scholar

Brinkmann, Vinzenz. 2007a. Research in the polychromy of ancient sculpture. In Vinzenz Brinkmann & Raimund Wünsche (eds.), Gods in color: Painted sculpture of classical antiquity, 20–27. Munich: Mediahouse Biering GmbH Munich.Search in Google Scholar

Brinkmann, Vinzenz 2007b. The coloring of archaic and early classical sculpture. In Vinzenz Brinkmann & Raimund Wünsche (eds.), Gods in color: Painted sculpture of classical antiquity, 29–43. Munich: Mediahouse Biering GmbH Munich.Search in Google Scholar

Brinkmann, Vinzenz. 2007c. The funerary monument of Aristion. In Vinzenz Brinkmann & Raimund Wünsche (eds.), Gods in color: Painted sculpture of classical antiquity, 61–65. Munich: Mediahouse Biering GmbH Munich.Search in Google Scholar

Chesterman, Andrew. 1997. Memes of translation: The spread of ideas in translation theory. Amsterdam: John Benjamins.10.1075/btl.22Search in Google Scholar

Dyson, Stephen L. 2007. In pursuit of ancient pasts. New Haven & London: Yale University Press.Search in Google Scholar

Eco, Umberto. 2001. Experiences in translation. Toronto: University of Toronto Press.Search in Google Scholar

Edwards, James, Lavinia Spencer & Francesco Bartolozzi. 1792. A catalogue of one hundred impressions from gems, engraved by Nathaniel Marchant. London: Pall-Mall.Search in Google Scholar

Elgin, Catherine Z. 1997. Between the absolute and arbitrary. Ithaca: Cornell University Press.Search in Google Scholar

Frederiksen, Rune. 2010. Plaster casts in antiquity. In Rune Frederiksen & Eckart Marchand (eds.), Plaster casts: Making, collecting and displaying from classical antiquity to the present (Transformationen der Antike 18), 13–33. Berlin & New York: De Gruyter.10.1515/9783110216875Search in Google Scholar

Fullerton, Mark. 1990. The archaistic style in Roman Statuary (Mnemosyne Supplements 110). Leiden: E. J. Brill.10.1163/9789004329065Search in Google Scholar

Furtwängler, Adolf. 1900a. Die antiken Gemmen: Geschichte der Steinschneidekunst im Klassischen Altertum: Tafeln. (Band 1). Leipzig, Berlin: Giesecke & Devrient.Search in Google Scholar

Furtwängler, Adolf. 1900b. Die antiken Gemmen: Geschichte der Steinschneidekunst im Klassischen Altertum: Beschreibung und Erklärung der Tafeln. (Band 2). Leipzig, Berlin: Giesecke & Devrient.Search in Google Scholar

Furtwängler, Adolf. 1900c. Die antiken Gemmen: Geschichte der Steinschneidekunst im Klassischen Altertum: Geschichte der Steinschneidekunst im Klassischen Altertum. (Band 3). Leipzig, Berlin: Giesecke & Devrient.Search in Google Scholar

Gottlieb, Henrik. 2008. Multidimensional translation. In Anne Schjoldager (ed.), Understanding translation, 39–58. Aarhus: Academica.Search in Google Scholar

Groys, Boris. 2008. The topology of contemporary art. In Terry Smith, Okwui Enwezor & Nancy Condee, Antinomies of art and culture: Modernity, postmodernity, contemporaneity, 71–112. Durham: Duke University Press.10.1215/9780822389330-006Search in Google Scholar

Hägele, Hannelore. 2013. Color in sculpture: A survey from Ancient Mesopotamia to the present. Newcastle upon Tyne: Cambridge Scholars.Search in Google Scholar

Haskell, Francis & Nicholas Penny. 2006. Taste and antique: The lure of classical sculpture 1500–1900. New Haven: Yale University Press.Search in Google Scholar

Horta, Maria de Lourdes Parreiras. 1992. Museum semiotics: A new approach to museum communication. Leicester: University of Leicester dissertation.Search in Google Scholar

Jakobson, Roman. 1959. On linguistic aspects of translation. In Reuben A. Brower (ed.), On translation, 232–239. Cambridge, MA: Harvard University Press.10.4159/harvard.9780674731615.c18Search in Google Scholar

Kukk, Inge, Laidi Laiverik, Ingrid Sahk, Jaanika Tiisvend & Külli Valk. 2006. 200 aastat Tartu Ülikooli Kunstimuuseumi: Valikkataloog (200 years of the art museum of the University of Tartu: Selected catalogue). Tartu: Tartu Ülikooli Kirjastus.Search in Google Scholar

Landwehr, Christa. 1985. Die antiken Gipsabgüsse aus Baiae. Griechische Bronzestatuen in Abgüssen römischer Zeit (Berlin Archäologische Forschungen 14). Berlin: Mann.Search in Google Scholar

Landwehr, Christa. 2010. The Baiae casts and the uniqueness of Roman copies. In Rune Frederiksen & Eckart Marchand (eds.), Plaster casts: Making, collecting, and displaying from classical antiquity to the present (Transformationen der Antike 18), 35–46. Berlin & New York: De Gruyter.10.1515/9783110216875.35Search in Google Scholar

Lindsay, Ivan. 2013. The history of loot and stolen art: From antiquity until the present day. London: Unicorn.Search in Google Scholar

Lotman, Maria-Kristiina. 2012. Equiprosodic translation method in Estonian poetry. Sign Systems Studies 40(3/4). 447–472.10.12697/SSS.2012.3-4.10Search in Google Scholar

Marvin, Miranda. 2008. The language of the muses: The dialogue between Roman and Greek sculpture. Los Angeles, CA: Getty.Search in Google Scholar

Palagia, Olga & Jeremy Pollitt (eds.). 1996. Personal styles in Greek sculpture (Yale Classical Studies 30). Cambridge: Cambridge University Press.Search in Google Scholar

Perry, Ellen. 2005. The aesthetics of emulation in the visual arts of ancient Rome. Cambridge: Cambridge University Press.Search in Google Scholar

Podany, Jerry. 2015. Conservation and restoration. In Elise A. Friedland, Melanie Grunow Sobocinski & Elaine K. Gazda (eds.), The Oxford handbook of Roman sculpture, 27–43. New York: Oxford University Press.Search in Google Scholar

Potts, Alex. 2000. Flesh and ideal: Winckelmann and the origins of art history. New Haven: Yale University Press.Search in Google Scholar

Ramage, Nancy H. 2002. Restorer and collector: Notes on eighteenth-century recreations of Roman statues. In Elaine K. Gazda (ed.), The ancient art of emulation: Studies in artistic originality and tradition from the present to classical antiquity, 61–77. Ann Arbor: University of Michigan Press.Search in Google Scholar

Richter, Gisela M. A. 1970. An Aristogeiton from Baiae. American Journal of Archeology 74. 296–297.10.2307/503108Search in Google Scholar

Ridgway, Brunilde Sismondo. 2001. Hellenistic sculpture I: The Styles of ca. 331–200 B.C. Wisconsin: University of Wisconsin Press.Search in Google Scholar

Toury, Gideon. 1986. Translation: A cultural-semiotic perspective. In Thomas A. Sebeok (ed.), Encyclopedic dictionary of semiotics, vol. 2, 1111–1124. Berlin: Mouton de Gruyter.Search in Google Scholar

True, Marion. 2003. Changing approaches to conservation. In Janet Burnett Grossman, Jerry Podany & Marion True (eds.), History of restoration of ancient stone sculptures, 1–12. Los Angeles: J. Paul Getty Museum.Search in Google Scholar

Woodford, Susan. 2015. An introduction to Greek art: Sculpture and vase painting in the archaic and classical periods. London: Bloomsbury Academic.Search in Google Scholar

Wünsche, Raimund. 2007. On the coloring of the Munich Bronze head with a Victor’s fillet. In Vinzenz Brinkmann & Raimund Wünsche (eds.), Gods in color: Painted sculpture of classical antiquity, 118–131. Munich: Mediahouse Biering GmbH Munich.Search in Google Scholar