From trace to topical field: Toward a linguistic definition of point of view
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Zsuzsa Simonffy
Zsuzsa Simonffy (b. 1955) is an associate professor at the University of Pécs 〈ffy.zsu@gmail.com〉. Her research interests include argumentation and representation of meaning, semantics, vagueness, and language and culture. Her publications include “L'humour à l'horizon de la sémantique des points de vue” (2009); “L'implicite en termes de champs topiques” (2009); “Meillassoux de près, de loin. De la parenté à la mémoire collective des Inuit” (2009); andVague: De la sémantique à la pragmatique et retour. Pour une approche argumentative des rapports entre langue et culture (2010).
Abstract
Within the framework of this paper we undertake the task of trying to make explicit the combinability of words, or on the contrary their non-combinability by making use of the findings of Pierre-Yves Raccah's work on the semantics of the viewpoint, with the hope of offering new perspectives for the reading of narratives. With the help of laying down the topical foundations of lexis we may get closer to finding out how linguistic units construct meaning, or rather how they enforce the adoption of given points of view before the question of referentiality would arise.
About the author
Zsuzsa Simonffy (b. 1955) is an associate professor at the University of Pécs 〈ffy.zsu@gmail.com〉. Her research interests include argumentation and representation of meaning, semantics, vagueness, and language and culture. Her publications include “L'humour à l'horizon de la sémantique des points de vue” (2009); “L'implicite en termes de champs topiques” (2009); “Meillassoux de près, de loin. De la parenté à la mémoire collective des Inuit” (2009); and Vague: De la sémantique à la pragmatique et retour. Pour une approche argumentative des rapports entre langue et culture (2010).
©2015 by Walter de Gruyter Berlin/Munich/Boston
Articles in the same Issue
- Frontmatter
- Linguistic and literary aspects of perspectivity
- Introduction: Linguistic and literary aspects of perspectivity
- Context-dependent vantage points in literary narratives: A functional cognitive approach
- Authorial intention and global coherence in fictional text comprehension: A cognitive approach
- The role of perspectives in various forms of language use
- From trace to topical field: Toward a linguistic definition of point of view
- Indexicals, fiction, and perspective
- Why do we accept a narrative discourse ascribed to a “third-person narrator” as true? The classical, and a cognitive approach
- De-essentializing authenticity: A semiotic approach
- Introduction: De-essentializing authenticity: A semiotic approach
- Culture as accent: The cultural logic of hijabistas
- Why X doesn’t always mark the spot: Contested authenticity in Mexican indigenous language politics
- The semiotics and politics of “real selfhood” in the American therapeutic discourse of the World War II era
- Inauthentic authenticity: Semiotic design and globalization in the margins of China
Articles in the same Issue
- Frontmatter
- Linguistic and literary aspects of perspectivity
- Introduction: Linguistic and literary aspects of perspectivity
- Context-dependent vantage points in literary narratives: A functional cognitive approach
- Authorial intention and global coherence in fictional text comprehension: A cognitive approach
- The role of perspectives in various forms of language use
- From trace to topical field: Toward a linguistic definition of point of view
- Indexicals, fiction, and perspective
- Why do we accept a narrative discourse ascribed to a “third-person narrator” as true? The classical, and a cognitive approach
- De-essentializing authenticity: A semiotic approach
- Introduction: De-essentializing authenticity: A semiotic approach
- Culture as accent: The cultural logic of hijabistas
- Why X doesn’t always mark the spot: Contested authenticity in Mexican indigenous language politics
- The semiotics and politics of “real selfhood” in the American therapeutic discourse of the World War II era
- Inauthentic authenticity: Semiotic design and globalization in the margins of China