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Kapitel
Open Access
Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Preface 9
-
Writing Emotions/Reading Emotions
- Emotions and the Process of Writing 17
- The Affective Value of Fiction Presenting and Evoking Emotions 29
- The Author – “Specialize[d] in Having Fun”? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič 55
- Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James 77
-
Emotions Mediated
- Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions 99
- Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner’s Novel The Flamethrowers 123
- “[…] which approximates ‘I love you’.” Jonathan Safran Foer’s Punctuation of Emotions 137
- Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower 159
- The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond 175
-
Emotions on Stage and in Literary Texts
- “’Tis Magic, Magic that Hath Ravished Me” Passionate Conjuring in Doctor Faustus and The Devil’s Charter 197
- Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama 215
- When the Author Is Not the Author of Passions J.J. Engel’s Herr Lorenz Stark and the Pathognomy of Style 233
- How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe’s “The Fall of the House of Usher” 247
- Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île .. 265
-
Writing Wounds
- Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola’s Nana 277
- Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame 295
- Hiding One’s Feelings ‘Emotionless’ Rhetoric in Raul Hilberg’s The Destruction of the European Jews and Peter Weiss’s Die Ermittlung 311
- Love under Threat The Emotional Valences of the Twilight Saga 347
- AUTHORS 379
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Preface 9
-
Writing Emotions/Reading Emotions
- Emotions and the Process of Writing 17
- The Affective Value of Fiction Presenting and Evoking Emotions 29
- The Author – “Specialize[d] in Having Fun”? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič 55
- Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James 77
-
Emotions Mediated
- Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions 99
- Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner’s Novel The Flamethrowers 123
- “[…] which approximates ‘I love you’.” Jonathan Safran Foer’s Punctuation of Emotions 137
- Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower 159
- The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond 175
-
Emotions on Stage and in Literary Texts
- “’Tis Magic, Magic that Hath Ravished Me” Passionate Conjuring in Doctor Faustus and The Devil’s Charter 197
- Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama 215
- When the Author Is Not the Author of Passions J.J. Engel’s Herr Lorenz Stark and the Pathognomy of Style 233
- How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe’s “The Fall of the House of Usher” 247
- Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île .. 265
-
Writing Wounds
- Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola’s Nana 277
- Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame 295
- Hiding One’s Feelings ‘Emotionless’ Rhetoric in Raul Hilberg’s The Destruction of the European Jews and Peter Weiss’s Die Ermittlung 311
- Love under Threat The Emotional Valences of the Twilight Saga 347
- AUTHORS 379