Startseite Literaturwissenschaften Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower
Kapitel Open Access

Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower

  • Marie Dücker
Weitere Titel anzeigen von transcript Verlag
Writing Emotions
Ein Kapitel aus dem Buch Writing Emotions
© 2018 transcript Verlag

© 2018 transcript Verlag

Kapitel in diesem Buch

  1. Frontmatter 1
  2. Contents 5
  3. Preface 9
  4. Writing Emotions/Reading Emotions
  5. Emotions and the Process of Writing 17
  6. The Affective Value of Fiction Presenting and Evoking Emotions 29
  7. The Author – “Specialize[d] in Having Fun”? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič 55
  8. Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James 77
  9. Emotions Mediated
  10. Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions 99
  11. Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner’s Novel The Flamethrowers 123
  12. “[…] which approximates ‘I love you’.” Jonathan Safran Foer’s Punctuation of Emotions 137
  13. Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower 159
  14. The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond 175
  15. Emotions on Stage and in Literary Texts
  16. “’Tis Magic, Magic that Hath Ravished Me” Passionate Conjuring in Doctor Faustus and The Devil’s Charter 197
  17. Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama 215
  18. When the Author Is Not the Author of Passions J.J. Engel’s Herr Lorenz Stark and the Pathognomy of Style 233
  19. How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe’s “The Fall of the House of Usher” 247
  20. Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île .. 265
  21. Writing Wounds
  22. Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola’s Nana 277
  23. Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame 295
  24. Hiding One’s Feelings ‘Emotionless’ Rhetoric in Raul Hilberg’s The Destruction of the European Jews and Peter Weiss’s Die Ermittlung 311
  25. Love under Threat The Emotional Valences of the Twilight Saga 347
  26. AUTHORS 379
Heruntergeladen am 23.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783839437933-009/html
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