Home Linguistics & Semiotics An Acoustic Analysis of Creaky Voice Patterns in Singing
Chapter
Licensed
Unlicensed Requires Authentication

An Acoustic Analysis of Creaky Voice Patterns in Singing

  • Alexsandro R. Meireles
Become an author with De Gruyter Brill
Prosodic Interfaces
This chapter is in the book Prosodic Interfaces

Abstract

This chapter proposes to introduce the differences and similarities regarding voice creakiness in speech, and then to apply this knowledge to the study of singing. We consider vocal fry and creaky voice to be different vocal processes in singing. The main difference is the lack of notes in vocal fry in comparison to creaky voice. This is due to the fact that the notes are the musical result of perceived variation in the fundamental frequency of the vocal folds. Some acoustic analysis will exemplify these vocal differences in selected songs. The spectral analyses have shown that modal voice is much more irregular than creaky voice in relation to the parameters jitter, shimmer, and harmonics-to-noise ratio.

Abstract

This chapter proposes to introduce the differences and similarities regarding voice creakiness in speech, and then to apply this knowledge to the study of singing. We consider vocal fry and creaky voice to be different vocal processes in singing. The main difference is the lack of notes in vocal fry in comparison to creaky voice. This is due to the fact that the notes are the musical result of perceived variation in the fundamental frequency of the vocal folds. Some acoustic analysis will exemplify these vocal differences in selected songs. The spectral analyses have shown that modal voice is much more irregular than creaky voice in relation to the parameters jitter, shimmer, and harmonics-to-noise ratio.

Downloaded on 10.12.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9783111060309-008/html
Scroll to top button