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Classical Reception
New Challenges in a Changing World
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Edited by:
Anastasia Bakogianni
and Luis Unceta Gómez
Language:
English
Published/Copyright:
2024
About this book
In a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and material culture from their reception, and interpretive communities. Our contributors engage with these questions theoretically and/or through the close examination of cultural artefacts. They problematise the concept of a Western, elitist canon and actively push the geographical boundaries of reception as both a local and a global phenomenon. Individually and cumulatively, they actively engage with the question of how to marshal the classical past in our efforts to respond to the challenges of our mutable contemporary world.
Author / Editor information
Anastasia Bakogianni, Massey University, New Zealand (Auckland campus); Luis Unceta Gómez, Universidad Autónoma de Madrid, Spain.
Topics
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Frontmatter
I -
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Acknowledgments
VII -
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Contents
IX -
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List of Figures
XIII -
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Introduction: Classical Reception in the Early 2020s, Critical Times and Where to Next?
1 - Part I: Concepts, Methods, and Intersections in Classical Reception
- Section 1: Re-Thinking Classical Reception
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The Master’s Tools?: Towards a Politics of Reception
23 -
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Classics on the Surface: Classical Reception as an Emergent Process
41 -
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Masked Celluloid Classics? Shadows of Clytemnestra in Film Noir
61 - Section 2: Working with Archives
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The “Advent of the New Rule”: An Oresteia (1947) in Prague and the Epistemological Limits of Archivalia
87 -
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Karolos Koun’s Art Theatre, the Greek Dictatorship, and the Ford Foundation: From Handout to Handshake
119 -
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Narcissus, Adonis, and Medusa: Troubled Beauty in Classical Receptions of Film Stardom
139 - Section 3: Cultural Intersections
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Mocking the Hollywood Epic Canon: Parodies of the Classical World from Latin American Cinema’s Studio Era
169 -
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Suspended Temporalities and Classical Reception: Cassandra in Anne Carson’s Agamemnon
193 -
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Manga and the Power of the Classical Object: The Merging of Eastern and Western Traditions
215 - Part II: Classical Receptions in Response to Societal Challenges
- Section 4: Forming and Re-Negotiating Identities
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Cripping Venus: Intersections of Classics and Disability Studies in Contemporary Receptions of the Venus de Milo
239 -
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Social Justice-Engaged Reception Pedagogy at Wake Forest University
265 -
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Classics on the Italian Stage: Old Habits and ‘New Deals’
279 - Section 5: Greek Tragedy in a Time of Pandemic
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Tragedy as an Open Network: Antigone in Ferguson (2016–) and The Nurse Antigone (2022–2023)
307 -
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“Where’s the Body?”: Performing Iphigenia at Aulis in New Zealand during the Pandemic (2020)
329 - Section 6: Engaging with Technology and the Wider Public
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Escaping Hades: Playing with Classical Reception
357 -
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Classical Reception Meets Pedagogy: The Creation and Uses of the Panoply Vase Animation Project's Our Mythical Childhood and Locus Ludi Animations
383 -
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List of Contributors
409 -
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Index
415
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 22, 2024
eBook ISBN:
9783110773729
Hardcover published on:
July 22, 2024
Hardcover ISBN:
9783110773385
Pages and Images/Illustrations in book
Front matter:
14
Main content:
419
Illustrations:
10
Coloured Illustrations:
21
Keywords for this book
Cultural transfers; Identities; Methodological reassessment; Contemporary cultures
Audience(s) for this book
Scholars of Classical Studies and Reception, Cultural and Media Studies, Translation, Performance Studies, Popular Culture
Safety & product resources
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com