Startseite Altertumswissenschaften & Ägyptologie Liber esto – Wordplay and Ambiguity in Petronius’ Satyrica
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Liber esto – Wordplay and Ambiguity in Petronius’ Satyrica

  • Antje Wessels
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Strategies of Ambiguity in Ancient Literature
Ein Kapitel aus dem Buch Strategies of Ambiguity in Ancient Literature

Abstract

Among the many techniques employed in the Cena Trimalchionis, the centrepiece of Petronius’ Satyrica, is the application of wordplay. Wordplay disrupts the common function of language as representing a pre-existing thought and thereby appears to absolve the author from any moral responsibility. Specifically, this absolution seems to be realized through examples of wordplay that are based on a word’s alleged ambiguity - that is, with wordplays that succeed in opening up a new semantic space, without, however, changing the sequence of letters that compose the terms. The paper discusses how Trimalchio employs ambiguity in order to question and re-arrange crucial elements of the social setting, including the social status of a character.

Abstract

Among the many techniques employed in the Cena Trimalchionis, the centrepiece of Petronius’ Satyrica, is the application of wordplay. Wordplay disrupts the common function of language as representing a pre-existing thought and thereby appears to absolve the author from any moral responsibility. Specifically, this absolution seems to be realized through examples of wordplay that are based on a word’s alleged ambiguity - that is, with wordplays that succeed in opening up a new semantic space, without, however, changing the sequence of letters that compose the terms. The paper discusses how Trimalchio employs ambiguity in order to question and re-arrange crucial elements of the social setting, including the social status of a character.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Preface V
  3. Contents VII
  4. List of Figures XI
  5. Part I: Concepts and Aesthetics of Ambiguity
  6. Modern and Ancient Concepts of Ambiguity 1
  7. Aristotle on Ambiguity 11
  8. Intended Ambiguity in Plato’s Phaedo 29
  9. The Ambiguity of the Unambiguous: Figures of Death in Late Medieval Literature 43
  10. The Modern Perspective: Ambiguity, Artistic Self-Reference, and the Autonomy of Art 61
  11. Part II: Playing with Linguistic Ambiguity
  12. Traversing No-Man’s Land 81
  13. The Ambiguity of Wisdom: Mētis in the Odyssey 91
  14. Borges in Alexandria? Modes of Ambiguity in Hellenistic Poetry 101
  15. Sympotic Sexuality: The Ambiguity of Seafood in Middle Comedy (Nausicrates fr. 1 K.-A.) 123
  16. Liber esto – Wordplay and Ambiguity in Petronius’ Satyrica 141
  17. Part III: Ambiguous Narratives
  18. Half Heroes? Ambiguity in Ovid’s Metamorphoses 157
  19. Underneath the Arachnean and Minervan Veil of Ambiguity: Cultural and Political Simulatio in Ovidian Ecphrasis 175
  20. Ambigua Verba, Hidden Desire and Auctorial Intentionality in Some Ovidian Speeches (Met. 3.279−92; 7.810−23; 10.364−6, 440−1) 193
  21. The Pleasures of Ambiguity: Aristomenes’ Tale of Socrates in Apuleius’ Metamorphoses 207
  22. Legens. Ambiguity, Syllepsis and Allegory in Claudian’s De Raptu Proserpinae 219
  23. Part IV: Ambiguity as Argument
  24. Between Conversion and Madness: Sophisticated Ambiguity in Lucian’s Nigrinus 237
  25. Catullan Ambiguity 251
  26. Prophetic, Poetic and Political Ambiguity in Vergil Eclogue 4 273
  27. Vitae aut vocis ambigua: Seneca the Younger and Ambiguity 285
  28. Who speaks? – Ambiguity and Vagueness in the Design of Cicero’s Dialogue Speakers 297
  29. Unsettling Effects and Disconcertment — Strategies of Enacting Interpretations in Tacitusʼ Annals 315
  30. The Latin Commentary Tradition on ‘Inclusive’ Intended Ambiguity 331
  31. Part V: Ambiguous Receptions
  32. Ambivalent Allegories: Giovan Battista Marino’s Adone (1623) between Censorship and Hermeneutic Freedom 351
  33. Multipliers of Ambiguity: The Use of Quotations in Cavafy’s Poems Concerning the Emperor Julian 365
  34. Seven Perspectives of Ambiguity and the Problem of Intentionality 381
  35. List of Contributors 405
  36. General Index 411
  37. Index of Passages 417
https://doi.org/10.1515/9783110715811-010

Kapitel in diesem Buch

  1. Frontmatter I
  2. Preface V
  3. Contents VII
  4. List of Figures XI
  5. Part I: Concepts and Aesthetics of Ambiguity
  6. Modern and Ancient Concepts of Ambiguity 1
  7. Aristotle on Ambiguity 11
  8. Intended Ambiguity in Plato’s Phaedo 29
  9. The Ambiguity of the Unambiguous: Figures of Death in Late Medieval Literature 43
  10. The Modern Perspective: Ambiguity, Artistic Self-Reference, and the Autonomy of Art 61
  11. Part II: Playing with Linguistic Ambiguity
  12. Traversing No-Man’s Land 81
  13. The Ambiguity of Wisdom: Mētis in the Odyssey 91
  14. Borges in Alexandria? Modes of Ambiguity in Hellenistic Poetry 101
  15. Sympotic Sexuality: The Ambiguity of Seafood in Middle Comedy (Nausicrates fr. 1 K.-A.) 123
  16. Liber esto – Wordplay and Ambiguity in Petronius’ Satyrica 141
  17. Part III: Ambiguous Narratives
  18. Half Heroes? Ambiguity in Ovid’s Metamorphoses 157
  19. Underneath the Arachnean and Minervan Veil of Ambiguity: Cultural and Political Simulatio in Ovidian Ecphrasis 175
  20. Ambigua Verba, Hidden Desire and Auctorial Intentionality in Some Ovidian Speeches (Met. 3.279−92; 7.810−23; 10.364−6, 440−1) 193
  21. The Pleasures of Ambiguity: Aristomenes’ Tale of Socrates in Apuleius’ Metamorphoses 207
  22. Legens. Ambiguity, Syllepsis and Allegory in Claudian’s De Raptu Proserpinae 219
  23. Part IV: Ambiguity as Argument
  24. Between Conversion and Madness: Sophisticated Ambiguity in Lucian’s Nigrinus 237
  25. Catullan Ambiguity 251
  26. Prophetic, Poetic and Political Ambiguity in Vergil Eclogue 4 273
  27. Vitae aut vocis ambigua: Seneca the Younger and Ambiguity 285
  28. Who speaks? – Ambiguity and Vagueness in the Design of Cicero’s Dialogue Speakers 297
  29. Unsettling Effects and Disconcertment — Strategies of Enacting Interpretations in Tacitusʼ Annals 315
  30. The Latin Commentary Tradition on ‘Inclusive’ Intended Ambiguity 331
  31. Part V: Ambiguous Receptions
  32. Ambivalent Allegories: Giovan Battista Marino’s Adone (1623) between Censorship and Hermeneutic Freedom 351
  33. Multipliers of Ambiguity: The Use of Quotations in Cavafy’s Poems Concerning the Emperor Julian 365
  34. Seven Perspectives of Ambiguity and the Problem of Intentionality 381
  35. List of Contributors 405
  36. General Index 411
  37. Index of Passages 417
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Heruntergeladen am 22.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110715811-010/html
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