Strategies of Ambiguity in Ancient Literature
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Edited by:
Martin Vöhler
About this book
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas).
The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity?
The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.
Author / Editor information
Topics
Publicly Available Download PDF |
I |
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V |
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VII |
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Part I: Concepts and Aesthetics of Ambiguity
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Martin Vöhler Requires Authentication Unlicensed Licensed Download PDF |
1 |
Pantelis Golitsis Requires Authentication Unlicensed Licensed Download PDF |
11 |
Chloe Balla Requires Authentication Unlicensed Licensed Download PDF |
29 |
Susanne Reichlin Requires Authentication Unlicensed Licensed Download PDF |
43 |
Michael Lüthy Requires Authentication Unlicensed Licensed Download PDF |
61 |
Part II: Playing with Linguistic Ambiguity
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Jenny Strauss Clay Requires Authentication Unlicensed Licensed Download PDF |
81 |
John T. Hamilton Requires Authentication Unlicensed Licensed Download PDF |
91 |
Evina Sistakou Requires Authentication Unlicensed Licensed Download PDF |
101 |
Anna Lamari Requires Authentication Unlicensed Licensed Download PDF |
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Antje Wessels Requires Authentication Unlicensed Licensed Download PDF |
141 |
Part III: Ambiguous Narratives
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Robert Kirstein Requires Authentication Unlicensed Licensed Download PDF |
157 |
Stella Alekou Requires Authentication Unlicensed Licensed Download PDF |
175 |
Jacqueline Fabre-Serris Requires Authentication Unlicensed Licensed Download PDF |
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Stavros Frangoulidis Requires Authentication Unlicensed Licensed Download PDF |
207 |
Marco Formisano Requires Authentication Unlicensed Licensed Download PDF |
219 |
Part IV: Ambiguity as Argument
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Irmgard Männlein-Robert Requires Authentication Unlicensed Licensed Download PDF |
237 |
Richard F. Thomas Requires Authentication Unlicensed Licensed Download PDF |
251 |
Stephen Harrison Requires Authentication Unlicensed Licensed Download PDF |
273 |
Janja Soldo Requires Authentication Unlicensed Licensed Download PDF |
285 |
Lisa Cordes Requires Authentication Unlicensed Licensed Download PDF |
297 |
Therese Fuhrer Requires Authentication Unlicensed Licensed Download PDF |
315 |
Bram van der Velden Requires Authentication Unlicensed Licensed Download PDF |
331 |
Part V: Ambiguous Receptions
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Florian Mehltretter Requires Authentication Unlicensed Licensed Download PDF |
351 |
Michalis Chryssanthopoulos Requires Authentication Unlicensed Licensed Download PDF |
365 |
Joachim Knape Requires Authentication Unlicensed Licensed Download PDF |
381 |
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405 |
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411 |
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