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Dionysos Lenaios at Rhamnous. Lenaia ἐν ἀγροῖς and the “Lenaia vases”

  • Michalis Tiverios
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Sidelights on Greek Antiquity
Ein Kapitel aus dem Buch Sidelights on Greek Antiquity

Abstract

The Dionysiac cult had a particularly marked presence in Rhamnous. It was not just ancient but also one of the most official in the area because the honorific decrees of the deme of the Rhamnousians were set up not only in the Nemeseion but also in the precincts of the Dionysian sanctuary. Rhamnous also happens to preserve the only evidence outside Athens of the cult of Dionysos Lenaios. Moreover, theatrical performances were held during the Dionysia, the ‘rustic’ (ἐν ἀγροῖς), but probably also during the Lenaia. Therefore, Rhamnous, combined with what a commentator on Aristophanes said, permits us to assert that the Athenians celebrated the Lenaia both in the city (ἐν ἄστει) and the countryside (ἐν ἀγροῖς). The “Lenaian” vase-paintings that depict cult rituals to a characteristic image of the god performed exclusively by female figures should be related to the Lenaia, the only Dionysiac orgiastic festival in ancient Athens. These scenes, many of which decorate stamnoi (probably the ancient krossoi), it is clear that they depict different cult images of the god, as well as different surroundings. Therefore, these vase-paintings can be linked not only with the urban Lenaia (ἐν ἄστει) but also with the rustic Lenaia (ἐν ἀγροῖς).

Abstract

The Dionysiac cult had a particularly marked presence in Rhamnous. It was not just ancient but also one of the most official in the area because the honorific decrees of the deme of the Rhamnousians were set up not only in the Nemeseion but also in the precincts of the Dionysian sanctuary. Rhamnous also happens to preserve the only evidence outside Athens of the cult of Dionysos Lenaios. Moreover, theatrical performances were held during the Dionysia, the ‘rustic’ (ἐν ἀγροῖς), but probably also during the Lenaia. Therefore, Rhamnous, combined with what a commentator on Aristophanes said, permits us to assert that the Athenians celebrated the Lenaia both in the city (ἐν ἄστει) and the countryside (ἐν ἀγροῖς). The “Lenaian” vase-paintings that depict cult rituals to a characteristic image of the god performed exclusively by female figures should be related to the Lenaia, the only Dionysiac orgiastic festival in ancient Athens. These scenes, many of which decorate stamnoi (probably the ancient krossoi), it is clear that they depict different cult images of the god, as well as different surroundings. Therefore, these vase-paintings can be linked not only with the urban Lenaia (ἐν ἄστει) but also with the rustic Lenaia (ἐν ἀγροῖς).

Kapitel in diesem Buch

  1. Frontmatter I
  2. Preface V
  3. Contents XI
  4. List of Figures XIII
  5. Tabula Gratulatoria XIX
  6. Vasileios Petrakos: A Life Dedicated to the Service of Greek Archaeology XXIII
  7. Part I: Epigraphy and Ancient History
  8. Thucydides, Historical Geography and the ‘Lost Years’ of Perdikkas II 3
  9. Athens, Samothrace, and the Mysteria of the Samothracian Great Gods 17
  10. De quelques épitaphes d’étrangers et d’étrangères au Musée d’Érétrie 45
  11. Φυτωνυμικά τοπωνύμια Κωμών της Αργολίδος 103
  12. Le recours à l’arbitrage privé dans les actes d’affranchissement delphiques 117
  13. Προξενικό ψήφισμα από την Αιτωλία 137
  14. Women’s Religion in Hellenistic Athens 145
  15. Notes on Athenian Decrees in the Later Hellenistic Period 159
  16. “Those Who Jointly Built the City” 179
  17. Part II: Archaeology
  18. Attica and the Origins of Silver Metallurgy in the Aegean and the Carpatho-Balkan Zone 197
  19. Cultural Variation in Mycenaean Attica. A Mesoregional Approach 227
  20. Mythical and Historical Heroic Founders: The Archaeological Evidence 299
  21. Das Volutenkapitell aus Sykaminos 321
  22. Dionysos Lenaios at Rhamnous. Lenaia ἐν ἀγροῖς and the “Lenaia vases” 359
  23. Philoktet in Attika 383
  24. Part III: History of Greek Archaeology
  25. Peiraieus in 1805 411
  26. Karl Otfried Müller in Marathon, Rhamnus und Oropos 423
  27. Spyridon Marinatos and Carl Blegen at Pylos: A Happy Collaboration 441
  28. Vassilis Petrakos et les fouilles suisses d’Érétrie 451
  29. List of Contributors 465
  30. Index of Epigraphical Texts 469
  31. Index Locorum 477
  32. Index of Mythological Names 483
  33. Index of Geographic Names (Place Names, Ethnic and Demotic Adjectives) 485
  34. Index of Ancient Personal Names 499
  35. Index Rerum 505
  36. Index of Modern Personal Names 515
Heruntergeladen am 10.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110699326-018/html
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