Diese Publikation wird Ihnen präsentiert durch Paradigm Publishing Services
Edinburgh University Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
Further Reading
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Introduction 1
-
Part I: Taking up the Struggle
- Introduction 9
- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ 14
- 2. ‘The Woman’s Film’ 20
- 3. ‘Women’s Cinema as Counter-Cinema’ 31
- 4. ‘The Crisis of Naming in Feminist Film Criticism’ 41
- Further Reading 48
-
Part II: The Language of Theory
- Introduction 53
- 5. ‘Visual Pleasure and Narrative Cinema’ 58
- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ 70
- 7. ‘Oedipus Interruptus’ 83
- 8. ‘Lost Objects and Mistaken Subjects’ 97
- Further Reading 106
-
Part III: The Female Spectator
- Introduction 111
- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ 115
- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ 122
- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ 131
- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ 146
- Further Reading 157
-
Part IV: Textual Negotiations
- Introduction 161
- 13. ‘Pleasurable Negotiations’ 166
- 14. ‘Video Replay: Families, Films and Fantasy’ 180
- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ 196
- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' 210
- Further Reading 224
-
Part V: Fantasy, Horror and the Body
- Introduction 229
- 17. ‘Her Body, Himself: Gender in the Slasher Film’ 234
- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ 251
- 19. ‘Film Bodies: Gender, Genre and Excess’ 267
- Further Reading 282
-
Part VI: Re-thinking Differences
- Introduction 287
- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ 293
- 21. ‘The Oppositional Gaze: Black Female Spectators’ 307
- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ 321
- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ 336
- Further Reading 350
- Copyright Acknowledgements 353
- Index 355
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Introduction 1
-
Part I: Taking up the Struggle
- Introduction 9
- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ 14
- 2. ‘The Woman’s Film’ 20
- 3. ‘Women’s Cinema as Counter-Cinema’ 31
- 4. ‘The Crisis of Naming in Feminist Film Criticism’ 41
- Further Reading 48
-
Part II: The Language of Theory
- Introduction 53
- 5. ‘Visual Pleasure and Narrative Cinema’ 58
- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ 70
- 7. ‘Oedipus Interruptus’ 83
- 8. ‘Lost Objects and Mistaken Subjects’ 97
- Further Reading 106
-
Part III: The Female Spectator
- Introduction 111
- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ 115
- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ 122
- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ 131
- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ 146
- Further Reading 157
-
Part IV: Textual Negotiations
- Introduction 161
- 13. ‘Pleasurable Negotiations’ 166
- 14. ‘Video Replay: Families, Films and Fantasy’ 180
- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ 196
- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' 210
- Further Reading 224
-
Part V: Fantasy, Horror and the Body
- Introduction 229
- 17. ‘Her Body, Himself: Gender in the Slasher Film’ 234
- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ 251
- 19. ‘Film Bodies: Gender, Genre and Excess’ 267
- Further Reading 282
-
Part VI: Re-thinking Differences
- Introduction 287
- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ 293
- 21. ‘The Oppositional Gaze: Black Female Spectators’ 307
- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ 321
- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ 336
- Further Reading 350
- Copyright Acknowledgements 353
- Index 355