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Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction 1
-
Part I: Taking up the Struggle
- Introduction 9
- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ 14
- 2. ‘The Woman’s Film’ 20
- 3. ‘Women’s Cinema as Counter-Cinema’ 31
- 4. ‘The Crisis of Naming in Feminist Film Criticism’ 41
- Further Reading 48
-
Part II: The Language of Theory
- Introduction 53
- 5. ‘Visual Pleasure and Narrative Cinema’ 58
- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ 70
- 7. ‘Oedipus Interruptus’ 83
- 8. ‘Lost Objects and Mistaken Subjects’ 97
- Further Reading 106
-
Part III: The Female Spectator
- Introduction 111
- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ 115
- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ 122
- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ 131
- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ 146
- Further Reading 157
-
Part IV: Textual Negotiations
- Introduction 161
- 13. ‘Pleasurable Negotiations’ 166
- 14. ‘Video Replay: Families, Films and Fantasy’ 180
- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ 196
- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' 210
- Further Reading 224
-
Part V: Fantasy, Horror and the Body
- Introduction 229
- 17. ‘Her Body, Himself: Gender in the Slasher Film’ 234
- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ 251
- 19. ‘Film Bodies: Gender, Genre and Excess’ 267
- Further Reading 282
-
Part VI: Re-thinking Differences
- Introduction 287
- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ 293
- 21. ‘The Oppositional Gaze: Black Female Spectators’ 307
- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ 321
- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ 336
- Further Reading 350
- Copyright Acknowledgements 353
- Index 355
Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction 1
-
Part I: Taking up the Struggle
- Introduction 9
- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ 14
- 2. ‘The Woman’s Film’ 20
- 3. ‘Women’s Cinema as Counter-Cinema’ 31
- 4. ‘The Crisis of Naming in Feminist Film Criticism’ 41
- Further Reading 48
-
Part II: The Language of Theory
- Introduction 53
- 5. ‘Visual Pleasure and Narrative Cinema’ 58
- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ 70
- 7. ‘Oedipus Interruptus’ 83
- 8. ‘Lost Objects and Mistaken Subjects’ 97
- Further Reading 106
-
Part III: The Female Spectator
- Introduction 111
- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ 115
- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ 122
- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ 131
- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ 146
- Further Reading 157
-
Part IV: Textual Negotiations
- Introduction 161
- 13. ‘Pleasurable Negotiations’ 166
- 14. ‘Video Replay: Families, Films and Fantasy’ 180
- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ 196
- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' 210
- Further Reading 224
-
Part V: Fantasy, Horror and the Body
- Introduction 229
- 17. ‘Her Body, Himself: Gender in the Slasher Film’ 234
- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ 251
- 19. ‘Film Bodies: Gender, Genre and Excess’ 267
- Further Reading 282
-
Part VI: Re-thinking Differences
- Introduction 287
- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ 293
- 21. ‘The Oppositional Gaze: Black Female Spectators’ 307
- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ 321
- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ 336
- Further Reading 350
- Copyright Acknowledgements 353
- Index 355