Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES viii
4. NOTES ON CONTRIBUTORS x
5. ACKNOWLEDGEMENTS xv
6. JIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS: A CONCEPTUAL FRAMEWORK 1
7. PART A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
8. 1 ON SPEAKING, REMAINING SILENT AND BEING HEARD: FRAMING RESEARCH, POSITIONALITY AND PUBLICS IN THE JIHADI FIELD 25
9. 2 DESIGNING RESEARCH ON RADICALISATION USING SOCIAL MEDIA CONTENT: DATA PROTECTION REGULATIONS AS CHALLENGES AND OPPORTUNITIES 51
10. 3 ETHICS IN GENDER ONLINE RESEARCH: A FACEBOOK CASE STUDY 73
11. PART B. VISUALISING JIHADI IDEOLOGY AND ACTION
12. 4 APPROPRIATION IN ISLAMIC STATE PROPAGANDA: A THEORETICAL AND ANALYTICAL FRAMEWORK OF TYPES AND DIMENSIONS 97
13. 5 VISUAL PERFORMATIVITY OF VIOLENCE: POWER AND RETALIATORY HUMILIATION IN ISLAMIC STATE (IS) BEHEADING VIDEOS BETWEEN 2014 AND 2017 123
14. 6 FROM THE DARKNESS INTO THE LIGHT: NARRATIVES OF CONVERSION IN JIHADI VIDEOS 148
15. PART C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
16. 7 ARTIVISM, POLITICS AND ISLAM– AN EMPIRICAL-THEORETICAL APPROACH TO ARTISTIC STRATEGIES AND AESTHETIC COUNTER-NARRATIVES THAT DEFY COLLECTIVE STIGMATISATION 171
17. 8 RE-ENACTING VIOLENCE: CONTESTING PUBLIC SPHERES WITH APPROPRIATIONS OF IS EXECUTION VIDEOS 198
18. 9 ‘YOU’RE AGAINST DAWLA, BUT YOU’RE LISTENING TO THEIR NASHEEDS?’ APPROPRIATING JIHADI AUDIOVISUALITIES IN THE ONLINE STREETWORK PROJECT JAMAL AL-KHATIB– MY PATH! 222
19. PART D. ANĀSHĪD: SOUNDSCAPES OF RELIGIOPOLITICAL EXPERIENCE
20. 10 ‘NĀSHĪD’ BETWEEN ISLAMIC CHANTING AND JIHADI HYMNS: CONTINUITIES AND TRANSFORMATIONS 247
21. 11 ANĀSHĪD AT THE CROSSROAD BETWEEN THE ORGANISATIONAL AND THE PRIVATE 273
22. 12 CONTESTED CHANTS: THE NĀSHĪD AL ṢALĪL AL-ṢAWĀRIM AND ITS APPROPRIATIONS 294
23. INDEX 320