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6.5 Diegetisation of decoupling
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Miklós Kiss
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Introduction 1
- I.1 In this book 3
- Chapter 1 Contemporary Complex Cinema 8
- 1.1 Complex conditions: the resurgence of narrative complexity 10
- 1.2 Complex cinema as brain-candy for the empowered viewer 16
- 1.3 Narrative taxonomies: simple, complex, puzzle plots 18
- Chapter 2 Cognitive Approach to Contemporary Complex Cinema 24
- 2.1 Why an (embodied-)cognitive approach? 28
- 2.2 Various forms of complexity and their effects on sense-making 37
- 2.3 A cognitive approach to classifying complexity 51
- Chapter 3 Narrative Complexity and Dissonant Cognitions 65
- 3.1 The concept of cognitive dissonance 66
- 3.2 Cognitions in dissonance: from social psychology to narrative engagement 68
- 3.3 Types of dissonance in narrative comprehension 71
- 3.4 Cognitive access to impossible storyworlds: immersed and reflected operations 86
- 3.5 ‘Impossibilities’ and embodied cognition 91
- Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies 104
- 4.1 Cognitive dissonance versus narrative coherence 107
- 4.2 Reducing dissonance: interpretation and naturalisation 110
- 4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings 127
- 4.4 Frame-switching as hermeneutic play in impossible puzzle films 130
- Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration 140
- 5.2 Impossible puzzle films and (post-)classical narration 163
- Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles 183
- 6.1 Hermeneutic play and interpretive multiplicity 185
- 6.2 Orientation, navigation, mapping 189
- 6.3 Game logic and the fascination in failure 195
- 6.4 Effort justification 197
- 6.5 Diegetisation of decoupling 198
- 6.6 Fascination in infinity 200
- 6.7 Destabilised ontological certainty 203
- 6.8. Eudaimonic motivations and intrinsic needs 205
- References 208
- Filmography 221
- Index 224
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Introduction 1
- I.1 In this book 3
- Chapter 1 Contemporary Complex Cinema 8
- 1.1 Complex conditions: the resurgence of narrative complexity 10
- 1.2 Complex cinema as brain-candy for the empowered viewer 16
- 1.3 Narrative taxonomies: simple, complex, puzzle plots 18
- Chapter 2 Cognitive Approach to Contemporary Complex Cinema 24
- 2.1 Why an (embodied-)cognitive approach? 28
- 2.2 Various forms of complexity and their effects on sense-making 37
- 2.3 A cognitive approach to classifying complexity 51
- Chapter 3 Narrative Complexity and Dissonant Cognitions 65
- 3.1 The concept of cognitive dissonance 66
- 3.2 Cognitions in dissonance: from social psychology to narrative engagement 68
- 3.3 Types of dissonance in narrative comprehension 71
- 3.4 Cognitive access to impossible storyworlds: immersed and reflected operations 86
- 3.5 ‘Impossibilities’ and embodied cognition 91
- Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies 104
- 4.1 Cognitive dissonance versus narrative coherence 107
- 4.2 Reducing dissonance: interpretation and naturalisation 110
- 4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings 127
- 4.4 Frame-switching as hermeneutic play in impossible puzzle films 130
- Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration 140
- 5.2 Impossible puzzle films and (post-)classical narration 163
- Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles 183
- 6.1 Hermeneutic play and interpretive multiplicity 185
- 6.2 Orientation, navigation, mapping 189
- 6.3 Game logic and the fascination in failure 195
- 6.4 Effort justification 197
- 6.5 Diegetisation of decoupling 198
- 6.6 Fascination in infinity 200
- 6.7 Destabilised ontological certainty 203
- 6.8. Eudaimonic motivations and intrinsic needs 205
- References 208
- Filmography 221
- Index 224