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2.1 Why an (embodied-)cognitive approach?

  • Miklós Kiss and Steven Willemsen
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Impossible Puzzle Films
This chapter is in the book Impossible Puzzle Films
© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vii
  4. Introduction 1
  5. I.1 In this book 3
  6. Chapter 1 Contemporary Complex Cinema 8
  7. 1.1 Complex conditions: the resurgence of narrative complexity 10
  8. 1.2 Complex cinema as brain-candy for the empowered viewer 16
  9. 1.3 Narrative taxonomies: simple, complex, puzzle plots 18
  10. Chapter 2 Cognitive Approach to Contemporary Complex Cinema 24
  11. 2.1 Why an (embodied-)cognitive approach? 28
  12. 2.2 Various forms of complexity and their effects on sense-making 37
  13. 2.3 A cognitive approach to classifying complexity 51
  14. Chapter 3 Narrative Complexity and Dissonant Cognitions 65
  15. 3.1 The concept of cognitive dissonance 66
  16. 3.2 Cognitions in dissonance: from social psychology to narrative engagement 68
  17. 3.3 Types of dissonance in narrative comprehension 71
  18. 3.4 Cognitive access to impossible storyworlds: immersed and reflected operations 86
  19. 3.5 ‘Impossibilities’ and embodied cognition 91
  20. Chapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies 104
  21. 4.1 Cognitive dissonance versus narrative coherence 107
  22. 4.2 Reducing dissonance: interpretation and naturalisation 110
  23. 4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings 127
  24. 4.4 Frame-switching as hermeneutic play in impossible puzzle films 130
  25. Chapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration 140
  26. 5.2 Impossible puzzle films and (post-)classical narration 163
  27. Chapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles 183
  28. 6.1 Hermeneutic play and interpretive multiplicity 185
  29. 6.2 Orientation, navigation, mapping 189
  30. 6.3 Game logic and the fascination in failure 195
  31. 6.4 Effort justification 197
  32. 6.5 Diegetisation of decoupling 198
  33. 6.6 Fascination in infinity 200
  34. 6.7 Destabilised ontological certainty 203
  35. 6.8. Eudaimonic motivations and intrinsic needs 205
  36. References 208
  37. Filmography 221
  38. Index 224
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