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12 Into the Sacred Circle, Out of the Melting Pot
Re/Locations and Homecomings in Native Women’s Theater
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Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Foreword xi
- Acknowledgments xv
- On Unmaking and Remaking 1
-
Resisting Imagination
- Writing the Xicanista 21
- Everday Revolutions, Shifting Power, and Feminine Genius in Julia Alvarez’s Fiction 47
- Authorizing Desire 59
-
Body Agonistes
- MeShell Ndegéocello 81
- Portraits of the Past, Imagined Now 103
- The Coloniality of Embodiment 141
-
Changing the Subject
- Pueblo Sculptor Roxanne Swentzell 161
- The Syncretism of Native American, Latin American, and African American Women’s Art 181
- Dalit Women’s Literature 197
-
Home is where the Art is: Shaping Space and Place
- The Role of “Place” in New Zealand Māori Songs of Lament 213
- Theater Near Us 231
- Into the Sacred Circle, Out of the Melting Pot 247
- Works Cited 265
- About the Contributors 283
- Index 287
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Foreword xi
- Acknowledgments xv
- On Unmaking and Remaking 1
-
Resisting Imagination
- Writing the Xicanista 21
- Everday Revolutions, Shifting Power, and Feminine Genius in Julia Alvarez’s Fiction 47
- Authorizing Desire 59
-
Body Agonistes
- MeShell Ndegéocello 81
- Portraits of the Past, Imagined Now 103
- The Coloniality of Embodiment 141
-
Changing the Subject
- Pueblo Sculptor Roxanne Swentzell 161
- The Syncretism of Native American, Latin American, and African American Women’s Art 181
- Dalit Women’s Literature 197
-
Home is where the Art is: Shaping Space and Place
- The Role of “Place” in New Zealand Māori Songs of Lament 213
- Theater Near Us 231
- Into the Sacred Circle, Out of the Melting Pot 247
- Works Cited 265
- About the Contributors 283
- Index 287