Suny Press
Unmaking Race, Remaking Soul
-
Edited by:
and
About this book
Explores the theme of aesthetic agency and its potential for social and political progress.
Explores the theme of aesthetic agency and its potential for social and political progress.
Unmaking Race, Remaking Soul explores innovative approaches to analyzing cultural productions through which women of color have challenged and undermined social and political forces that work to oppress them. Emphasizing art-making practices that emerge out of and reflect concrete lived experience, leading contributors to the fields of contemporary psychoanalytic literary analysis, Latin American studies, feminist theory, Native Women's studies, Africana studies, philosophy, and art history examine the relationship between the aesthetic and the political.
The focus of the book is on the idea of aesthetic agency through which one develops different modes of expression and creative practices that facilitate personal and social transformation. Aesthetic agency is liberating in a broad sense-it not only frees our creative capacities but also expands our capacity for joy and our abilities to know, to judge, and to act. Artists considered include Nadema Agard, Julia Alvarez, Ana Castillo, Daystar/Rosalie Jones, Coco Fusco, Diane Glancy, Martha Jackson-Jarvis, Toni Morrison, MeShell Ndegéocello, Marcie Rendon, Ntozake Shange, Lorna Simpson, Roxanne Swentzell, Regina Vater, Kay Walking Stick, and Carrie Mae Weems.
Author / Editor information
Christa Davis Acampora is Associate Professor of Philosophy at Hunter College and the Graduate Center, the City University of New York. Angela L. Cotten is Assistant Professor of Women's Studies at Stony Brook University, State University of New York. They are the coeditors of Cultural Sites of Critical Insight: Philosophy, Aesthetics, and African American and Native American Women's Writings, also published by SUNY Press.
Reviews
"This collection makes an intriguing and important contribution to understanding the experiences and cultural productions of women of color." — Bilinda Straight, editor of Women on the Verge of Home
Topics
-
Download PDFPublicly Available
Front Matter
i -
Download PDFPublicly Available
Contents
vii -
Download PDFPublicly Available
Illustrations
ix -
Download PDFPublicly Available
Foreword
xi -
Download PDFPublicly Available
Acknowledgments
xv -
Download PDFRequires Authentication UnlicensedLicensed
On Unmaking and Remaking
1 - Resisting Imagination
-
Download PDFRequires Authentication UnlicensedLicensed
Writing the Xicanista
21 -
Download PDFRequires Authentication UnlicensedLicensed
Everday Revolutions, Shifting Power, and Feminine Genius in Julia Alvarez’s Fiction
47 -
Download PDFRequires Authentication UnlicensedLicensed
Authorizing Desire
59 - Body Agonistes
-
Download PDFRequires Authentication UnlicensedLicensed
MeShell Ndegéocello
81 -
Download PDFRequires Authentication UnlicensedLicensed
Portraits of the Past, Imagined Now
103 -
Download PDFRequires Authentication UnlicensedLicensed
The Coloniality of Embodiment
141 - Changing the Subject
-
Download PDFRequires Authentication UnlicensedLicensed
Pueblo Sculptor Roxanne Swentzell
161 -
Download PDFRequires Authentication UnlicensedLicensed
The Syncretism of Native American, Latin American, and African American Women’s Art
181 -
Download PDFRequires Authentication UnlicensedLicensed
Dalit Women’s Literature
197 - Home is where the Art is: Shaping Space and Place
-
Download PDFRequires Authentication UnlicensedLicensed
The Role of “Place” in New Zealand Māori Songs of Lament
213 -
Download PDFRequires Authentication UnlicensedLicensed
Theater Near Us
231 -
Download PDFRequires Authentication UnlicensedLicensed
Into the Sacred Circle, Out of the Melting Pot
247 -
Download PDFRequires Authentication UnlicensedLicensed
Works Cited
265 -
Download PDFRequires Authentication UnlicensedLicensed
About the Contributors
283 -
Download PDFRequires Authentication UnlicensedLicensed
Index
287