Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgements vi
4. Sources of Illustrations viii
5. Series Editors’ Preface ix
6. Introduction: ‘Having Your Nazi Cake and Eating it’ 1
7. 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr 43
8. 2 The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris’s Fatherland and Ian McEwan’s Black Dogs 70
9. 3 ‘Fascism’ as Excess and Abjection: Jonathan Littell’s The Kindly Ones 93
10. 4 The Good German: The Stauffenberg Plot and its Discontents 125
11. 5 ‘Operation Kino’: Quentin Tarantino’s Inglourious Basterds as Meta-cinematic Farce 158
12. Coda 190
13. Bibliography 195
14. Index 211