Präsentiert durch Paradigm Publishing Services
Edinburgh University Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Sources of Illustrations viii
- Series Editors’ Preface ix
- Introduction: ‘Having Your Nazi Cake and Eating it’ 1
- 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr 43
- 2 The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris’s Fatherland and Ian McEwan’s Black Dogs 70
- 3 ‘Fascism’ as Excess and Abjection: Jonathan Littell’s The Kindly Ones 93
- 4 The Good German: The Stauffenberg Plot and its Discontents 125
- 5 ‘Operation Kino’: Quentin Tarantino’s Inglourious Basterds as Meta-cinematic Farce 158
- Coda 190
- Bibliography 195
- Index 211
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vi
- Sources of Illustrations viii
- Series Editors’ Preface ix
- Introduction: ‘Having Your Nazi Cake and Eating it’ 1
- 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr 43
- 2 The Fascist Corpus in the Age of Holocaust Remembrance: Robert Harris’s Fatherland and Ian McEwan’s Black Dogs 70
- 3 ‘Fascism’ as Excess and Abjection: Jonathan Littell’s The Kindly Ones 93
- 4 The Good German: The Stauffenberg Plot and its Discontents 125
- 5 ‘Operation Kino’: Quentin Tarantino’s Inglourious Basterds as Meta-cinematic Farce 158
- Coda 190
- Bibliography 195
- Index 211