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Notes on Contributors
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze 22
-
ACT I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
- Chapter 2 I Artaud BwO: The Uses of Artaud’s To have done with the judgement of god 37
- Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze 54
- Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze 71
-
Interval
- Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future 91
- Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt 102
-
ACT II Confronting Deleuze and Live Performance
- Chapter 6 Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper 109
- Chapter 7 sub specie durationis 126
- Chapter 8 Thinking Through Theatre 147
- Chapter 9 Becoming–Dinosaur: Collective Process and Movement Aesthetics 161
-
Interval
- Chapter 10 . . . of butterfl ies, bodies and biograms . . . Affective Spaces in Performativities in the Performance of Madama Butterfly 183
-
ACT III A Digital Deleuze: Performance and New Media
- Chapter 11 Like a Prosthesis: Critical Performance à Digital Deleuze 203
- Chapter 12 Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari 221
- Chapter 13 The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance 240
- Notes on Contributors 261
- Index 266
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze 22
-
ACT I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
- Chapter 2 I Artaud BwO: The Uses of Artaud’s To have done with the judgement of god 37
- Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze 54
- Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze 71
-
Interval
- Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future 91
- Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt 102
-
ACT II Confronting Deleuze and Live Performance
- Chapter 6 Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper 109
- Chapter 7 sub specie durationis 126
- Chapter 8 Thinking Through Theatre 147
- Chapter 9 Becoming–Dinosaur: Collective Process and Movement Aesthetics 161
-
Interval
- Chapter 10 . . . of butterfl ies, bodies and biograms . . . Affective Spaces in Performativities in the Performance of Madama Butterfly 183
-
ACT III A Digital Deleuze: Performance and New Media
- Chapter 11 Like a Prosthesis: Critical Performance à Digital Deleuze 203
- Chapter 12 Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari 221
- Chapter 13 The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance 240
- Notes on Contributors 261
- Index 266