Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze

Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction 1
4. Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze 22
5. ACT I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
6. Chapter 2 I Artaud BwO: The Uses of Artaud’s To have done with the judgement of god 37
7. Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze 54
8. Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze 71
9. Interval
10. Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future 91
11. Off the Beaten Path or, Notes Towards a Heideggerian Deterritorialisation: A Response to Daniel Watt 102
12. ACT II Confronting Deleuze and Live Performance
13. Chapter 6 Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper 109
14. Chapter 7 sub specie durationis 126
15. Chapter 8 Thinking Through Theatre 147
16. Chapter 9 Becoming–Dinosaur: Collective Process and Movement Aesthetics 161
17. Interval
18. Chapter 10 . . . of butterfl ies, bodies and biograms . . . Affective Spaces in Performativities in the Performance of Madama Butterfly 183
19. ACT III A Digital Deleuze: Performance and New Media
20. Chapter 11 Like a Prosthesis: Critical Performance à Digital Deleuze 203
21. Chapter 12 Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari 221
22. Chapter 13 The ‘Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance 240
23. Notes on Contributors 261
24. Index 266