From diagrams to poetry
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Frederik Stjernfelt
Abstract
The aim of this paper is double – to elaborate on the Peircean notion of iconicity, and to analyze, as an example, the diagram poetry of the Danish poet Klaus Høeck. The two purposes, then, are on very different levels of generality. Peirce’s notion of iconicity, so often misunderstood, is on a very general level where logic, cognition, and semiotics meet. Diagram poetry form only one, very specific, use of iconicity possibilities – here elucidated as a subtype of Peircean iconicity.
Abstract
The aim of this paper is double – to elaborate on the Peircean notion of iconicity, and to analyze, as an example, the diagram poetry of the Danish poet Klaus Høeck. The two purposes, then, are on very different levels of generality. Peirce’s notion of iconicity, so often misunderstood, is on a very general level where logic, cognition, and semiotics meet. Diagram poetry form only one, very specific, use of iconicity possibilities – here elucidated as a subtype of Peircean iconicity.
Chapters in this book
- Prelim pages i
- Table of contents v
- List of contributors ix
- Introduction 1
-
Part I. Iconicity and conceptualization
- Iconicity by blending 13
- The Bashō code 25
- Iconicity in gotoochi-kitii ‘localized Hello Kitty’ 43
- Grammar-internal mimicking and analogy 63
- To draw a bow 引 83
- Spatiotemporal aspects of iconicity 95
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Part II. Visual iconicity
- From diagrams to poetry 121
- The iconized letter 141
- The semantics of structure 159
- Visual iconicity in Latin poetry 173
- Shared and direct experiential iconicity in digital reading games 191
- Iconicity, intermediality, and interpersonal meanings in a Social Semiotic Space 211
- Model and icon 233
- Degrees of indetermination in intersemiotic translation 247
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Part III. Auditory iconicity
- Sound, image and fake realism 263
- Opera, oratorio, and iconic strategies 275
- On some iconic strategies in concept albums within the Italian singer-songwriter tradition 295
- Iconically expressible meanings in Proto-Indo-European roots and their reflexes in daughter branches 311
- The lexical iconicity hierarchy and its grammatical correlates 331
- Author index 351
- Subject index 355
Chapters in this book
- Prelim pages i
- Table of contents v
- List of contributors ix
- Introduction 1
-
Part I. Iconicity and conceptualization
- Iconicity by blending 13
- The Bashō code 25
- Iconicity in gotoochi-kitii ‘localized Hello Kitty’ 43
- Grammar-internal mimicking and analogy 63
- To draw a bow 引 83
- Spatiotemporal aspects of iconicity 95
-
Part II. Visual iconicity
- From diagrams to poetry 121
- The iconized letter 141
- The semantics of structure 159
- Visual iconicity in Latin poetry 173
- Shared and direct experiential iconicity in digital reading games 191
- Iconicity, intermediality, and interpersonal meanings in a Social Semiotic Space 211
- Model and icon 233
- Degrees of indetermination in intersemiotic translation 247
-
Part III. Auditory iconicity
- Sound, image and fake realism 263
- Opera, oratorio, and iconic strategies 275
- On some iconic strategies in concept albums within the Italian singer-songwriter tradition 295
- Iconically expressible meanings in Proto-Indo-European roots and their reflexes in daughter branches 311
- The lexical iconicity hierarchy and its grammatical correlates 331
- Author index 351
- Subject index 355