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Chapter 6. Synesthetic metaphors of sound

An analysis of the semantics of English and Japanese adjectives
  • Mari Tsujita
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Abstract

In conceptual metaphor theory, metaphors are understood as a conceptual mapping from the physical to non-physical concept or domain. Grady (1997) elaborated on this by proposing primary metaphor whose source concept is directly perceived through our senses, while target concept is a response to the sensorimotor input. Synesthetic metaphor seems to be an exception, since both source and target concepts belong to the sensory domain. This study investigates English and Japanese adjectives that are used for synesthetic metaphors of sound by analyzing the primary sense of each adjective and how it relates to the qualities of sound. Following Tyler and Evans (2003), I propose that the analysis of synesthetic metaphor requires a semantic network approach, in which pieces of converging linguistic and empirical evidence are put together.

Abstract

In conceptual metaphor theory, metaphors are understood as a conceptual mapping from the physical to non-physical concept or domain. Grady (1997) elaborated on this by proposing primary metaphor whose source concept is directly perceived through our senses, while target concept is a response to the sensorimotor input. Synesthetic metaphor seems to be an exception, since both source and target concepts belong to the sensory domain. This study investigates English and Japanese adjectives that are used for synesthetic metaphors of sound by analyzing the primary sense of each adjective and how it relates to the qualities of sound. Following Tyler and Evans (2003), I propose that the analysis of synesthetic metaphor requires a semantic network approach, in which pieces of converging linguistic and empirical evidence are put together.

Heruntergeladen am 20.9.2025 von https://www.degruyterbrill.com/document/doi/10.1075/hcp.64.07tsu/html
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