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A Comparative Literary History of Modern Slavery

The Atlantic world and beyond. Volume I: Slavery, literature and the emotions
  • Edited by: Madeleine Dobie , Mads Anders Baggesgaard and Karen-Margrethe Simonsen
Language: English
Published/Copyright: 2024
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About this book

The first volume of A Comparative Literary History of Modern Slavery explores literary representations of enslavement with a focus on the emotions. The contributors consider how the diverse emotions generated by slavery have been represented over a historical period stretching from the 16th century to the present and across regions, languages, media and genres. The seventeen chapters explore different framings of emotional life in terms of ‘sentiments’ and ‘affects’ and consider how emotions intersect with literary registers and movements such as melodrama and realism. They also examine how writers, including some formerly enslaved people, sought to activate the feelings of readers, notably in the context of abolitionism. In addition to obvious psychological responses to slavery such as fear, sorrow and anger, they explore minor-key affects such as shame, disgust and nostalgia and address the complexity of depicting love and intimacy in situations of domination. Two forthcoming volumes explore the literary history of slavery in relation to memory and to practices of authorship.


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i

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v

Simon Gikandi
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vii

Mads Anders Baggesgaard, Madeleine Dobie and Karen-Margrethe Simonsen
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xi

Introduction
Madeleine Dobie
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1
Part One. Slavery, sentiment and affect

Lynn Festa
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18

Madeleine Dobie
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34

Niels P. Holbech’s Little Marie on Neky’s Arm
Helene Engnes Birkeli
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50
Part Two. Slavery between literary codes

Fear and the dream of belonging in Leonora Sansay’s Secret History; or, the Horrors of St. Domingo (1808)
Jonas Ross Kjærgård
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78

Abolition, human rights violations, and the aesthetics of the drastic in popular German theatre, circa 1800
Sigrid G. Köhler
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95

Maria Firmina dos Reis’s Úrsula (1859) and A escrava (1887)
Jane-Marie Collins
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110

Slavery and passionate melancholy in Gertrudis Gómez de Avellaneda’s Sab
Karen-Margrethe Simonsen
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136
Part Three. Pity, identification and interpellation

Slavery, genre and emotion on the seventeenth-century French stage
Toby Erik Wikström
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158

The rhetoric of race, slavery, and emotional difference in the antebellum South
Erin Austin Dwyer
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173

Slave market scenes in early nineteenth-century journeys to the Orient
Sarga Moussa
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191

The Traumatic Gaze in Uncle Tom’s Cabin and A Romance of the Republic
Lori Robison
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207
Part Four. Affective ties

Jennifer L. Palmer
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226

Toward a microhistory of compensation in nineteenth-century Martinique
Myriam Cottias
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239

Slavery in the life and poetry of Luís de Camões
António Martins Gomes
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254
Part Five. First-person voices

Du Tertre, Mongin, Labat
Christina Kullberg
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272

Emotional extremis in the works of Juan Francisco Manzano
Marilyn G. Miller
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289

An archive of emotion and authenticity in the new slave narrative
Laura T. Murphy
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307

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325

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331

Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 27, 2024
eBook ISBN:
9789027246363
Pages and Images/Illustrations in book
Main content:
334
Other:
+ index
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