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The Human Genome Project: An increasingly elusive ‘human nature’
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Belinda Clayton
Veröffentlicht/Copyright:
27. Oktober 2008
Abstract
Current research in the biological science, particularly The Human Genome Project, has produced a proliferation of inscriptive metaphors that describes life processes in terms of signification. The embrace of semiotics as an explanatory tool of genetic behavior by some traditionally deemed ‘natural’ scientists inadvertently brings attention to the historical division between the natural and social sciences alike. This paper attempts to highlight the increasingly transparent division between the oppositional concepts of nature and culture in light of a post-structuralist perspective on the human genome.
:
Published Online: 2008-10-27
Published in Print: 2005-06-20
Walter de Gruyter GmbH & Co. KG
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Artikel in diesem Heft
- Semiotic perspective of psychiatric diagnosis
- On the relation between sound and meaning in Hicks’ Snow Falling on Cedars
- The revised fundamental sign
- Maigre comme un hareng : ‘Miss Harriet’ de Guy de Maupassant
- Prosper Mérimée : Surface sémantique d’un récit
- A fuzzy approach to discourse topics
- Metonymy as a tool of cognition and representation: A natural language analysis
- Sémiotique, philosophie et véridiction : Essai contre l’amalgame de la signification et de la désignation
- Science in carnival: DNA and the iconic body
- A semiotics of human actions for wearable augmented reality interfaces
- The symbolosphere, conceptualization, language, and neo-dualism
- An assessment and application of structuralism and linguistics: A structuralist approach to ‘The Woman Who Fell From the Sky,’ a Native American creation myth
- Iconicity and indexicality: The body in Chinese art
- The Human Genome Project: An increasingly elusive ‘human nature’
- Body and space: Michael Chekhov’s notion of atmosphere as the means of creating space in theatre
- Eyes, mirror, light: History’s other lenses
