Body and space: Michael Chekhov’s notion of atmosphere as the means of creating space in theatre
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Yana Meerzon
Abstract
This article analyses the aspects of theatre practice and theory dealing with body in space, or a theatrical space ‘constructed in relation to the actor’. It examines both the position of actor’s body with regards to a fictional space and an interaction between the stage and the audience using the example of Michael Chekhov’s notion of atmosphere — a sensory medium ‘that permeate[s] environments and Radiate[s] from people’. Atmosphere is a multi-layered text based on the anthropological, architectural, and emotional types of human relationships. It is both the Actor / Character / Spectator communication and the employment of theatre space as sign. Therefore, atmosphere is a dynamic process defining the aesthetic reading of a performance.
Walter de Gruyter GmbH & Co. KG
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Articles in the same Issue
- Semiotic perspective of psychiatric diagnosis
- On the relation between sound and meaning in Hicks’ Snow Falling on Cedars
- The revised fundamental sign
- Maigre comme un hareng : ‘Miss Harriet’ de Guy de Maupassant
- Prosper Mérimée : Surface sémantique d’un récit
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- Metonymy as a tool of cognition and representation: A natural language analysis
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- Science in carnival: DNA and the iconic body
- A semiotics of human actions for wearable augmented reality interfaces
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- An assessment and application of structuralism and linguistics: A structuralist approach to ‘The Woman Who Fell From the Sky,’ a Native American creation myth
- Iconicity and indexicality: The body in Chinese art
- The Human Genome Project: An increasingly elusive ‘human nature’
- Body and space: Michael Chekhov’s notion of atmosphere as the means of creating space in theatre
- Eyes, mirror, light: History’s other lenses
