Volume 5, Issue 1

In the Appendix to the Transcendental Dialectic , Kant formulates teleological principles, or rather ideas, and explicates them referring to concrete examples of natural science such as chemistry, astronomy, biology, empirical psychology, and physical geography. Despite the increasing interest in the systematic relevance of the Appendix to the Transcendental Dialectic and its importance for Kant’s conception of natural science, the numerous historical sources for the regulative use of reason have not yet been investigated. One that is very central is Maupertuis’ principle of least action . In 1781, Kant transformed teleology into heuristics and methodology, but in doing so, he partially develops a teleology which was disqualified by Maupertuis because its starting point lies in the construction of animals or plants , the structure of the earth , and the immensity of the celestial bodies . Based on Maupertuis’ principle of action, it can be shown that the Appendix forms a systematic interface between Universal Natural History and Theory of the Heavens and Critique of Judgement which allows the reconstruction of Kant’s regulative use of reason and its specific status in the context of natural science and his critical appraisal of Maupertuis.

In the Transcendental Dialectic , Kant searched for a universal concept of reason different from the understanding and offered the short formula “the faculty of principles” ( KrV A299/B356). I will argue that this is only one and not the most pertinent and general mark of the concept of reason. There are more compelling short expressions in Kant’s Reflexionen , the third Critique and/or in the reception of Kant’s works: “the faculty of ideas” ( Refl 5553 18:228 and KU 5:269) or reason in the narrower sense . The latter narrows down the logical sphere of the concept of rational faculties, and the former contains reason’s most basic mark: ideas . The first part of this article will focus on preliminary remarks on Kant’s philosophical methodology and conceptual analysis. The second part will analyze the division of the logical sphere of the concept of reason by nine necessary and coherent marks. These marks are centered around the concept of ideas, which allows for an ideas-first understanding of reason and preference for the formulas the faculty of ideas and reason in the narrower sense . The article will end with an “imperfect definition” of reason based on those nine marks.

To judge by the title, one would expect that interpretations of the Critique of Pure Reason would prioritize the division of the book most about reason and its critique: The Transcendental Dialectic. But the Dialectic is surprisingly secondary in the most established interpretive approaches. This article argues as follows: There is a problem that contributes to explaining the lack of popularity: The problem of how arguments really based in the Dialectic itself really promise to ground a broader project in theoretical philosophy, of the scope of the Critique. But the problem can be solved: One aim important in the critique is critical argument against rationalist metaphysics. The Dialectic must play a central role in such critique, given a difficulty concerning begging the question. The positive claims of the Dialectic, about reason and the unconditioned, are necessary for such an argument, and the Dialectic gives them enough defense for that purpose. Finally, there are reasons to take seriously Kant’s promises that the Antinomy of the Dialectic can support the weight in such an argument, without begging the question. The article concludes that a Dialectic-first approach to the Critique is viable and worth further development.

The subject matter of the article is the concept of “the real use of reason” ( usus realis ) alluded to by Kant in Critique of Pure Reason A299/B355 and in A305/B362. After comparing it with the “real use of understanding” examined in De mundi sensibilis and in the Critique of Pure Reason , the real use of reason is presented as a legitimate and useful performance that should be distinguished from the deceiving illusion induced by an appearance generated by reason itself. The real use of reason (its production of ideas and principles) proves itself as an unavoidable condition for the regulative use of ideas as well as a condition for the production of a critical metaphysics.

It is not just rationalist metaphysics, but also Kant’s transcendental philosophy that is teeming with a priori concepts. According to Kant, some of these a priori concepts are “ideas,” and similar to the categories, some of these ideas in turn belong to the nature of human reason, while others can be derived from them. It is therefore part of Kant’s claim in the “Transcendental Dialectic” to be able to explain not only the leading ideas of rational psychology, cosmology, and theology as natural concepts of reason, but the origin of the entire a priori vocabulary of the metaphysica specialis as well. This article outlines how Kant’s derivations of these concepts work. After explaining Kant’s classification of a priori concepts and the derivation of the transcendental ideas, his derivations are explored in more detail using the example of the concepts of the pure doctrine of the soul. This contributes to a better understanding of Kant’s theory of philosophical concepts while also shedding light on the rather rarely treated topic of the “Transcendental Dialectic.”

In the Transcendental Dialectic of the first Critique , Kant famously claims that even if ideas and principles of reason cannot count as cognitions of objects, they can play a positive role when they are used “regulatively” with the aim of organizing our empirical cognitions. One issue is to understand what assuming “regulatively” means. What kind of attitude does this “assuming” imply? Another issue is to characterize the status of ideas and principles themselves. It is to this second issue that this article is dedicated. Some interpreters have suggested that ideas and principles that can be assumed regulatively consist of propositions that we know are false. Others have suggested that at least some regulative ideas, as for example the idea of the homogeneity of nature, consist of propositions that we know are true but are indeterminate. Still others argue that, in assuming regulative ideas and principles, we assume propositions that cannot be proved true, but are nonetheless possibly true. In this article, I reject the view that regulative ideas consist of true but indeterminate propositions. Moreover, I argue that it is wrong to presuppose that only one of the remaining two options can apply to Kant’s account of regulative ideas and principles. By contrast, I submit that while in some cases assuming regulative ideas and principles does involve assuming some propositions that we know are false, this is not true for all regulative ideas and principles. More specifically, assuming regulative ideas involves assuming false propositions when assuming them means assuming that a “totality of appearances” is given.

Unity is a central concept in the Critique of Pure Reason , since it is only through the unifying act of our spontaneous faculties that an experience can emerge, according to Kant. However, the faculty of reason brings forth a different unity than that of the understanding: Kant characterizes the former as a collective unity, while the latter as a distributive unity. This article aims to explain the meaning of these terms, with reference to the Nachlass on metaphysics and the writings on right where Kant employs them in a clearer manner. This explanation can provide a basis to understand the difference between the faculty of understanding and the faculty of reason within the first Critique , a difference rather neglected by scholars, who have focused mainly on Kant’s distinction between sensibility and understanding.

For a long time, the transcendental dialectic was not at the center of Kant scholarship but was often treated simply as Kant’s reckoning with contemporary metaphysics. Accordingly, the main interest was in the transcendental analytic, especially the transcendental deduction. It is all the more gratifying that in recent times a rethinking seems to be taking place on this issue. In the following, I shall attempt to show why the transcendental dialectic is something more than an addendum to the core business of the Critique of Pure Reason. Rather, it forms the culmination of the work, demanding our full attention. Indeed, it provides the key to the entire critical philosophy by exhibiting reason itself as the ultimate founding principle in the form of its Idea.

The article focuses on re-evaluating Kant’s Transcendental Dialectic by initially highlighting its seemingly negative function within the Critique of Pure Reason as a mere regulative form for cognition and experience. The Dialectic, however, does not only have such a negative-regulative function but also its very own positive and founding character for cognition that even is present in the supposedly most immediate forms of intuition. In exploring this positive side of the Transcendental Dialectic it becomes clear that it manifests itself as a bridge between the so-called theoretical and practical reason inasmuch as it fills in their gap within Kant’s philosophy. From the practical side, the Dialectic is manifest as an action full of purposiveness, maxims, and imperatives within cognition, from a theoretical side it assumes the form of syllogistic inference, which is the adequate and acting theoretical form of practical reason. Therefore, the unity of reason is shown in presenting its inner gap as a dialectical misunderstanding that Kant not only highlights in the Transcendental Dialectic but also tends to leave unsolved mostly. Nevertheless, the Dialectic can be shown as the a priori synthetic act of unifying reason, if investigated in the context of Kant’s complete critical endeavour.

This article attempts to read the Transcendental Dialectic through Meillassoux’s model of the absolute contingency of being in order to rethink some of its central difficulties. Specifically, this concerns better understanding the role played by the categories of relation and modality in the empirical use of the ideas of reason, which underlies their regulative use that is directed at an absolute unity of reason. It will be discussed which questions are implied in the central claim of Meillassoux’s ontology, i.e., that it is possible to derive from the necessity of contingency the existence and noncontradictory being of the thing in itself. First, I will retrace basic points of Meillassoux’s critique of “correlationism”, by means of which he reconfigures the divisions between metaphysics, physics, and ontology. Second, against the background of the Kantian concept of hope, I will examine a relation between the Transcendental Dialectic and ethics, as, respectively, conceived of in Kant and in Meillassoux’s reinterpretation. Third, I will critically ask in how far absolute contingency can be understood as grounding a concept of experience and in which sense the idea of the antinomy chapter in the Transcendental Dialectic contains an argument more complex than Meillassoux’s model suggests.

By considering the semantic footings of the so-called antinomies of pure reason, this article contributes to the debate about whether Kant was committed to semantic realism or anti-realism . That is, whether verification-transcendent judgements are truth-apt (realism) or not (anti-realism). Against the (empiricist) semantic principle that Strawson, and others, have ascribed to Kant as the “principle of significance,” the bedrock of my article is what I call Kant’s Real Principle of Significance : an extension-based and normative principle stating that a judgement can have no “significance” or “objective validity” (truth-value) without a universally recognizable norm for verifying it. This principle entails semantic anti-realism. I argue that we can extract the principle from the antinomy chapter of KrV , since in there Kant concludes that judgements of the form “the world as such is x” are without “significance” (lack a truth-value) in virtue of being unverifiable as a matter of principle. I propose that Kant’s reference to some of the antinomical judgements as “false” is not incompatible with this anti-realist reading because he operates with two distinct world-concepts: an illegitimate transcendental realist one and a legitimate transcendental idealist one. In contrast to most anti-realist Kant-interpretations, it is furthermore argued that any satisfactory anti-realist construal of Kant’s view must be compatible with his assertion that the thesis in the third antinomy about freedom “can be true.” That requires a thicker conception of “significance” or “objective validity” than what is often ascribed to Kant, which is encapsulated by the Real Principle of Significance .

In this contribution, I respond to articles published in a Topical Issue of Open Philosophy on Kant’s Transcendental Dialectic by Mario Caimi, Gabriele Gava, and Michael Lewin, who criticize some of the views I put forward in my book Kant on the Sources of Metaphysics: The Dialectic of Pure Reason (Cambridge University Press, 2018). In particular, I discuss the “real use” of reason (in response to Caimi), the “regulative use” of principles and ideas of reason (in response to Gava), and Kant’s conception of reason (in response to Lewin).

The essay investigates two personae: Socrates as depicted by Plato and Descartes as narrator of the Discourse on Method and Meditations . Socrates is aware of his ignorance and insists on remembering to care for the self; Descartes claims to have overcome ignorance through a method that breaks problems into simple and certain elements, establishing a self-certain yet impersonal subject that comprehends and controls objects. The Cartesian approach has led to the modern process of “liquidation” that reduces beings, property, and truth to resources, wealth, and information – initiating the dangerous and unprecedented epoch known as the Anthropocene. The Socratic approach offers some promise of reintegration and resistance to liquidation by urging us to care for wholeness and recognizing that being exceeds what we comprehend.

In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close of “Ariadne’s Lament” [ Klage der Ariadne ]. Nietzsche’s references to ears invoke not only Nietzsche’s “selective” concern with having the right ears (both to hear what he says and with respect to his discovery regarding ancient Greek tragedy: hearing with one’s eyes, that is the relation of ancient Greek music in the word) but also the question of myth and genealogical context. Reading through myth is key not only in terms of the textual, lyric tradition but also painting and sculpture, including sarcophagi in antiquity. It makes all the difference to ask, as Karl Kerényi cites Nietzsche as asking: Wer weiß … was Ariadne ist? And not less: who was she to Dionysus? To this extent, Nietzsche’s concern with ears, small and long, is less incidental or furry fetish than hermeneutic attunement.

The concept of “conceptual personae” is a contradiction in terms. On one sense of the term, personae are the characters in a work of art, such as a play or a novel. As characters, they are not common terms – King Lear is a particular; he is not a universal, for he cannot be shared in common. However, concepts are quite unlike King Lear. As universals, they are common terms that can be shared in common. “Conceptual personae” renders the particular universal and thereby declares the universal not to be universal. However, I argue that as long as philosophers maintain a traditional attitude toward conceptual truth, philosophers will not be able to successfully think the structure of being without appealing to the mythical imagination, of which conceptual personae form an essential constituent.

Deleuze’s reversal of Platonism shifted the traditional emphasis on thinking that which participates in a concept to that in which a claim to participation occurs. The first part of this article presents a reading of this reversal that highlights the implications of Deleuze’s ontology for his non-ontological account of participation, highlighting how this ontology (1) builds on aspects of Plato’s philosophy recovered from beneath the later Platonic tradition of philosophy and (2) supports Deleuze’s account of the rival claims of philosophy and opinion to participate in thought. The second part outlines the difficulties presented by philosophy’s constitutive participation in friendship, love, and rivalry for it to be able to achieve its distinctive task of creating concepts that defeat opinion’s rival claims to address the problems that present themselves to thought.

This essay pursues Gilbert Durand’s plea for a new anthropological spirit that would overcome the bureaucracy-or-madness dichotomy which has since Nietzsche left its imprint upon contemporary thought, forcing it to choose between an “Apollonian” ontology established upon some kind of first principle and a “Dionysian” ontology consisting in the erasure of any founding norm. It does so by reclaiming Dionysus and Apollo’s original twin-ness and dual affirmation in dialogue with contemporary anthropological theory, especially Roy Wagner’s thesis on the interplay of “elicitation” and “containment” in sociocultural life. What would happen then, I ask, if we were to reimagine today’s philosophical game – which after Heidegger Deleuze, and Derrida turns variously and increasingly around subtraction – otherwise: as a chiastic board on which Apollo would cut Dionysus’s continuum, which Dionysus would in turn restore despite Apollo’s cuts, and on which the obliteration of any of the two gods would entail the inevitable dismemberment of the other? Accordingly, I offer a full reassessment of Dionysus’s and Apollo’s complementary roles in ancient-Greek culture in discussion not only with Nietzsche’s Dionysian philosophy but also with Ihab Hassan’s postmodern critique of Orpheus. All of it less with the purpose of putting forward a new metaphysics than with the intent of restating the translucent-ness that keeps together reality and thought against any claim that they are either transparent or opaque to one another.

These considerations illuminate an ontology of the witch by first disclosing how “witch,” as a linguistic gesture, carries a world of meaning, ethics, and a culture of being originating in the body. Witches and witchcraft speak to a communal situatedness of being by acknowledging the power we have over ourselves, others, and that singular lack of control we often experience in everyday life. In dialogue with Ada Agada, Emmanuel Lévinas, and Maurice Merleau-Ponty, I offer an interpretation of the body schema through what I call the “witching-body,” drawing on historical and anthropological examples of witchcraft as related to personhood, thus demonstrating how embodiment philosophy and ontology are already alive in everyday ritual and magical acts. I explain the other’s contradiction of everydayness and transcendence through the reflexivity of self-sensing-self and how aspects of our own body, such as organs and emotions, may be occult or other to us. The everydayness of witchcraft and the ungraspable ambiguity of the witch speak to this necessary transcendence we experience with everyday others; there is both a banality and an infinite plurality. We yearn to know the witch because through the embodied existential expressions of “witch” we find what constitutes being a person.

As a work of art, the show Fleabag prompts differing kinds of judgements by critics. But as a project that reflects life in capitalist society, its gimmickry models the existentially fraught dynamics of despair. Informed by Sianne Ngai’s Theory of the Gimmick , this article explores three sets of gimmicks in relation to despair, where each holds differing pedagogical stakes for viewers: being alone; being a bad feminist; being smitten with a priest. Gimmickry, as a technique within the show, puts viewers on the hook for judging gimmicks as wonders or tricks. Gimmickry as an object of criticism, in turn, brings into view the political and existential significance of Fleabag for viewers.

Mister Rogers’ Neighborhood was a show that focused on teaching children an ethics of caring for oneself and care for others. This article examines those ethics through the songs “I Like You As You Are” and “Won’t You Be My Neighbor.” It contends that these songs focus on a celebration of the self and others, welcoming individuals as they are into the community, and embracing authenticity. This article looks to understand these ethics in a contemporary setting and argues that Mister Rogers and the communal ethics of care that he taught are needed.

The Walking Dead is a popular TV series depicting a catastrophic and violent world. After a pandemic that turns humans into zombies, we witness the collapse of civilization with all its institutions, the depletion of the resources, and the struggle to build a new world in the middle of the wars between surviving groups. It illustrates a world of literal and metaphorical homo homini lupus . Some people choose sheer survival, and others try to build a moral, civil world. In this article, I propose a reading of this series from a Kantian perspective by employing his interrelated ideas on history, ethics, and politics. I claim that The Walking Dead represents the state of nature and the violence it contains, and illustrates the course of history toward a civil society as defined by Kant.

The article places Game of Thrones within a tradition of pessimism, reaching back to Blaise Pascal and coloured by Nabokov’s vision of birth as a separation between two voids. This lineage provides a philosophical thread to analyse the motivations and actions of the protagonists of Game of Thrones , in particular their relation to child-killing. The void looms large in the world of Game of Thrones as the unchartered space beyond the wall. It is the awareness of the reality of this void and the horrors it harbours which is shown to propel those who have it, to go to the greatest lengths to preserve the life of a child.

A number of twenty-first century television series explore the irruption of AI devices into our daily lives, highlighting not only human interaction with AI, but posing disturbing and new ontological considerations: humans wondering how they are different from machines, or those of machines being unaware that they are machines and only discovering so belatedly. Within these series, the emergence of these thoughts is accompanied by the staging of interspecies friendship and romance: the metaphysical question of freedom gives way to the question of attachment, and then the problem of autonomy gives way to that of interdependence. It is this passage from metaphysical speculation to political reflection that I would like to demonstrate.

Popular culture could be understood as a political battleground where conflicting meanings are inscribed into the “ordinary objects” that constitute that public sphere. This is also true for science fiction television series. This article critically examines how political matters and ethical agencies are represented within The Expanse , a series that takes place within a speculative twenty-fourth century milky way. Firstly, I will situate The Expanse within its generic “system of reference.” Then, I will illustrate how political matters are represented as conjoined with the ethical. While the ethical refers to actions of persons, politics refers to fictional conceptions of what Tristan Garcia’s terms we-ourselves, understood as conflicting and overlapping conceptions of “we.” The conjunction between the political and the ethical in The Expanse is spatiotemporal: the characters, the events they are entangled in, and the spaces that connect discrete events develop through fictional and literal time. I argue that the science fictional representations of “we-ourselves,” and the specific spatiotemporal representational capacities of the television series format, can be understood through the application of Mikhail Bakhtin’s concepts of the chronotope and the dialogic . That is, The Expanse’s we-representations are chronotopic and the refractive rhetoric of television is dialogic.

In this article, we argue that the animated TV-show Rick and Morty depicts several important and relevant themes about the impact of technology in contemporary societies. By using certain concepts and ideas from the philosophy of technology, especially from thinkers like Jacques Ellul, Jacques Derrida, Neil Postman, and George Ritzer, we investigate how this show brings to the fore certain ontological and ethical assumptions and problems that stem from the advance of technology. We shall use the term technopolitical thinking to refer to these core assumptions and principles which are inherent in contemporary technological societies. By providing various examples from certain episodes and scenes of the show, we shall illustrate how this animated series can provide a basis for a more extensive discussion.

Those of us who are captivated by new television (the sort of serialized television that began largely in the early 1990s), often find ourselves rewatching episodes or whole series. Why? What is the philosophical significance of the phenomenon of rewatching? In what follows, I engage with the ontology of television series in order to think about these questions around rewatching. I conclude by reflecting on what the entire discussion might suggest about the medium of new television, about ourselves, and also about our world and the possibilities of art in it.

This article analyzes the changes in The Handmaid’s Tale ’s moral and political outlook as it tracks different forms of complexity in the novel, the film, and the TV series. While the sense of female empowerment increases with each adaptation of this tale of forced sexual servitude in fictional theocratic state of Gilead, the essay argues that Hulu’s TV series (created by Bruce Miller, 2017–) develops an intriguing interaction between the interiority of Margaret Atwood’s 1985 novel and the exteriority emphasized in Volker Schlöndorff’s 1990 film. In so doing, the TV series Escher-twists across related binaries between activity/passivity and personal/political actions as well. By expanding, displacing, and creatively intersecting storylines which the novel cut short, the series weaves an intricate perspectival web that invites the viewer to participate in its mind games.

Lockdown has given us an occasion to discover new television series and to revisit others. TV series accompany us in our ordinary lives, but they can also be a resource or refuge in extraordinary situations. As the enduring success of Friends proves, they provide us with universes of comfort. TV series provide strong common cultural referents, which populate both ordinary conversations and political debates. TV series, by virtue of their aesthetic format (their duration, weekly and seasonal regularity, and the fact that they are, or were until recently, usually viewed in the context of the home), the attachment they inspire to their characters, the democratization and diversification of modes of viewing them (internet, streaming, discussion forums), make possible a specific form of education and constitution of a public. TV shows are hence a medium for political and ethical discussion. The article studies two series, Homeland and The Bureau , which are paradigmatic examples of a genre that has grown exponentially since the beginning of the century, and which we refer to as the “security series” genre. These series are great works of art and can also be seen as powerful tools for educating and informing the public.

The new technologies of television viewership following the digital turn have introduced new anxieties and possibilities. While new screen cultures facilitate a transnational viewership, the importance of ethically and morally grounded representations cannot be overstated. In this context, Delhi Crime , the Emmy award-winning Indian series based on the Delhi gang rape and murder of a 23-year-old woman in Delhi, will be instrumental in informing the ethico-political concerns that ought to be prioritized while representing the subaltern subject and the novel socialites fashioned through the new viewership patterns. This article attempts to understand the way in which the emerging screen economies provide new terrains for ethical representation and engendering digital publics. Thus, this article is interested in understanding the intersection of media ecologies and ethico-political concerns to introduce new dialectical possibilities.

Critical theory with emancipatory aims today to find a source of regeneration in ordinary cultures, and in particular, in TV series. Certain series can play a role in reinventing critical theories, drawing on the tradition of the Frankfurt School but shifting some of that School’s formulations through contact with current forms of interpretive sociology and pragmatic sociology. This requires a cross-border dialogue between the “language game” of TV series and the “knowledge game” of political theory, to use concepts inspired by Ludwig Wittgenstein. In this article, I will focus on four series: seasons 1 of American Crime (2015) and The Sinner (2017); Sharp Objects (2018); and Unorthodox (2020). The resources provided by these cultural works can help us formulate a critical decoding of important aspects of the current ideological context, in particular, the intersecting identitarian and ultra-conservative tendencies we find in France, Europe, the United States, and Brazil. These critical resources bear affinities to a political philosophy of the opening of being inspired by the ethical reflections of Emmanuel Levinas.

In this article two series are analyzed: Black Earth Rising (a BBC/Netflix production) and Queen Sono (the first African Netflix original series), shows that are about African realities from an African perspective (Rwanda in Black Earth Rising and South Africa in Queen Sono ). The findings in this article show that both series address social and political issues such as neocolonialism, neoextractivism, internal colonialism, racism, inequality, justice, self-determination, corruption, violence, peace, memory, necropolitics, mental health, and decoloniality. I also argue that the shows could be used as pedagogical tools to raise critical consciousness in a wide public regarding the social and political issues addressed. The research in this article has been conducted with a qualitative methodology, using both shows as case studies and using content analysis and bibliographical research. The analysis of the series is based in the discussion of critical theory and decoloniality approaches and authors, especially from Latin America and Africa. Furthermore, the analysis of popular media (such as series) is a relevant effort to decolonize knowledge, using alternative and non-academic sources to produce and socialize knowledge.

In the series Dear White People (DWP), students at the fictional University of Winchester struggle for racial justice. We analyze how the series treats “race” and racism and how this relates to contemporary debates in the United States. While the series presents an imaginary environment, we recognize strong similarities to actual student life and students grappling with various experiences of oppression including sexual violence. We draw on theories of identity formation (Margalit and Raz; Vondermaßen; Young) and intersectionality (Crenshaw; Collins) to uncover how the series portrays and complicates “Blackness” as an identity-forming experience and as an experience shaped by converging forms of structural discrimination. While we highlight the merit of combining two theoretical approaches (one of identity formation and one of oppression), we note that especially intersectionality helped uncover a major blind spot of the series. Although Black women are at the center of the series and the struggle for racial equality at Winchester, their particular experiences of violence are marginalized in seasons 1–3. This tendency to overlook the experiences of Black women reflects the larger debate around race, racism, and movements for social justice.

In episode 6 of the first season of The Handmaid’s Tale (2017–, MGM Television), the Republic of Gilead welcomes a trade delegation of the United Mexican States. Offred’s hope that the ensuing trade agreement between Gilead and Mexico would eventually bring the sexual exploitation she and the other handmaids suffer to public are quickly dashed. During a chance encounter at the house of Offred’s master, the Mexican ambassador Mrs Castillo confides in Offred that Mexico is suffering a fertility crisis just like Gilead. Her country is seriously considering trading with Gilead in handmaids (season 1, episode 6, “A Woman’s Place”). My article will use this episode as a starting point to reflect on the correlation between women’s social and economic status. I will illustrate how The Handmaid’s Tale demonstrates that markets are socially embedded and thereby reproduce and amplify social and political inequalities. This series thereby also functions as a powerful validation of the asymmetry thesis concerning markets in reproductive labour.

This article addresses the issue of realism in relationship to contemporary serial fiction. Drawing on The Bureau (Canal+, 2015–2020), it argues that spy TV series are “realistic” not because they correspond to reality but because of their impact on reality. It begins by giving an overview of the many ways in which “realism,” in the ordinary sense of a resemblance with reality, served as the working framework for The Bureau ’s team. It then identifies three distinct types of realisms in the series. The first is a “fictional realism,” namely the ability of The Bureau to conform to the aesthetic and narrative conventions of realistic fictions. The second type of realism, which I qualify as “ordinary,” refers to the possibilities offered by the show’s aesthetics and the enmeshment of The Bureau with viewers’ ordinary experience. The third type of “performative realism” refers to the series’ impact on shared representations and reality. By providing a common language about the secret activities of the state, The Bureau has gone from being a framed version of reality to being one of the defining frameworks through which state secrecy is experienced both individually and collectively, by insiders and the public at large.

As the “War on Terror” continues, the national myth of veteran-as-hero has given way to a narrative shorthand of veteran-as-villain. Films and television shows depicting the reintegration of veterans tend to focus on the struggle and alienation from the homefront that veterans feel upon their return. In contrast, comedy television portrayals such as One Day at a Time and You’re the Worst , both of which slowly but successfully reintegrate their central veteran characters, do so narratively by shifting their characters’ veteran status from their defining feature to one aspect of their past. Ultimately, I argue that the process of reintegration is one paralleled in the rehumanization that these comedy television portrayals permit, ultimately offering hope that reintegration, while not easy, is possible.

This article explores the negative framing of environmental concern in the context of food procurement and consumption, through the lens of the myth of Eden considering the ontological and genealogical aspects of the experienced exile from nature. The article first considers the theoretical context of the negative framing of food ethics. Demonstrating the consequences of the experience of food as abject, the article then goes on to discuss the exile from Eden as an explanatory myth for the perceptual inbetweenness of humankind. The aim of the article is to outline the genealogical markers of the negative framing of food ethics via the discussion of the exile from Eden. In the context of a new materialist understanding of the nature–culture continuum, the article depicts the exile as a perceptual rather than ontological divide that does not reflect a factual human inbetweenness but mirrors the objectification of nature by stripping the flesh of its spirit. Such reenvisioning is thought to be a pivotal aspect for mitigating the affectual abjectivity of food and recapturing the factual entanglement of body–environment to enable affirmative environmental ethics.

The orgasm gap is the marked difference in the frequency of orgasm between cisgender men and women in heterosexual intercourse that has been documented in research for decades. However, orgasm as a state of intense sexual excitement and gratification is physiologically uncomplicated and readily available for most people regardless of gender. This article undertakes a philosophical study of the processes by which the individual experience of orgasm is invested with meaning and embedded in social and cultural practices that collectively both produce and sustain the orgasm gap. By looking at the experience of orgasm as horizonal, I draw a distinction between the social and the cultural horizons of sexual experiences. I argue that social standards of sexual modesty make sexuality a field where the process through which we make sense of our individual experiences is especially dependent on how these experiences are depicted in cultural representation. The current socially normalised male perspective in cultural representation continues to conflict with the ways orgasm is experienced in female bodies. This is probably one reason why the orgasm gap persists even in countries where sex education and gender equality are highly advanced.

This is a meta-reflection on the methodological and epistemological challenges of doing ethnographic theology in a context outside the church or religious communities. Particularly, it argues that in a multi- or inter-disciplinary setting theologians are placed in a precarious position when it comes to use of language, theories and concepts if they want to speak simultaneously to the people they encounter in the field and to their “own” scientific community. The article asks how a researcher can do theology in a secular environment without doing violence towards ones interlocutors and still be considered to “belong” in the theological community? Based on the lived experiences of ongoing research and particularly concerning the gathering and telling the stories of Women in the Natural sciences, the author weaves together Eileen Campbell-Reed’s and Sarah Coakley’s methodological frameworks in order to present her own method of contemplative dance. The author uses rich metaphors and the sensory experience of “Home” and “Exile” in relationship to the movements in a foot to bring forth her embodied insights about dancing in the messy entanglement of ethnographic research.

Recent years have witnessed an increase in bear sightings in Latvia, causing a change of tone in the country’s media outlets, regarding the return of “wild” animals. The unease around bear reappearance leads me to investigate the affective side of relations with beings that show strength and resilience in more-than-human encounters in human-inhabited spaces. These relations are characterized by the contrasting human feelings of alienation vis-à-vis their environments today and a false sense of security, resulting in disbelief to encounter beings capable of challenging human exceptionalism. In a broader sense, the unease connects to human self-constitution and the fragility of the self, fueled by the domination of substance ontologies. This article considers bears as beings “in exile,” as potential threats to human self-pronounced exceptionality, and thus, examples of experienced abject (Kristeva, Julia. Powers of Horror: An Essay on Abjection , translated by Leon Roudiez. New York: Columbia University Press, 1982) regarding human subjectivity. The article aims to analyze the way the constitution of human selfhood is tied to the alienation of wildlife and its genealogical and biopolitical context and to question if a reconceptualization of the human/nonhuman relations via process, instead of substance ontology, is needed.

Nobody claims to be a proponent of white feminism , but according to the critique presented in this article, many in fact are. I argue that feminism that does not take multiple axes of oppression into account is bad in three ways: (1) it strategically undermines solidarity between women; (2) it risks inconsistency by advocating justice and equality for some women but not all; and (3) it impedes the ultimate function of feminism function by employing epistemological “master’s tools” that stand in antithesis to feminist emancipatory work. In investigating ethnocentrism in feminism, I develop the idea of latent ethnocentrism , which occupies the space between meaning that is generated from reference to the self and overt racism. I identify an epistemological prong in the ethnocentrism charge against feminism, where I draw on bell hooks’ interlocking axes-model of oppression to answer why the ethnocentrism problem is important for feminism and what its underlying epistemological causes are. I draw on Uma Narayan’s destabilization of cultural dualisms to argue that they do not serve emancipatory agendas. There is a mutually constitutive relation between language that informs our understanding, on the one hand, and the political agendas that produce this language to sustain the male and the western norm as center, on the other hand. I call this circular and reciprocally reinforcing mechanism the episteme-politic . I conclude that the ethnocentrism problem is not merely an issue of (1) strategy or (2) feminist consistency but of (3) shooting oneself in the foot by uncritically accepting patriarchal concepts for feminist politics.

Some authors argue that phenomenal unity can be grounded in the attentional structure of consciousness, which endows conscious states with at least a foreground and a background. Accordingly, the phenomenal character of part of a conscious state comprises a content aspect (e.g., hearing music) and a structural aspect (e.g., being in the background). This view presents the concern that such a structure does not bring about phenomenal unity, but phenomenal segregation, since the background is separated from the foreground. I argue that attention can still lead to a form of phenomenal unity that connects the foreground with the background. Experiencing oneself as controlling the focus of attention can, at least occasionally, bring about an experienced connection between the attentional foreground and the attentional background of a conscious experience.

According to Viveiros de Castro, comparison as ontology defines the ontological turn in anthropology. It presents a necessity for philosophy to approach the matter with comparative strategy. Morten Pedersen claims that ontological turn should be interpreted as a fulfillment of an anthropological version of Husserl’s method. Thus, phenomenology enters the field of interest along with its critique in Speculative Realism. In this article, we will see clearly why this selection is not accidental but rather unavoidable. Amerindian perspectivism necessitates the philosophical reconceptualization of perspective in general, which is to be taken as a challenge for the established discourses. The need arises to rethink the problematic of Kantian perspectivism and its offspring. Amerindian perspectivism proposes cosmological deictics that hold a spatiality of the perspective of the other, of the in-itself, thus it comes into an opposition to Kant’s system. Phenomenological perspective, as one of the Kantian offspring, faces a predicament that is interwoven with the critique of correlationism arriving from Speculative Realisms. The synthetic character of phenomenology allows enough flexibility for it to traverse these recent charges. We will draw a comparative picture of dynamic co-evolution of strains of recent thought, striving for a synthetic multiplicity, permeated by a common perspectival thread.

This article examines central tensions in cybernetics, defined as the study of self-organization, communication, automated feedback in organisms, and other distributed informational networks, from its wartime beginnings to its contemporary adaptations. By examining aspects of both first- and second-order cybernetics, the article introduces an epistemological standpoint that highlights the tension between its definition as a theory of recursion and a theory of control, prediction, and actionability. I begin by examining the historical outcomes of the Macy Conferences (1946–1954) to provide a context for cybernetics’ initial development for scientific epistemology, ethics, and socio-political thought. I draw extensively from Norbert Wiener, Heinz von Foerster, Ross Ashby, and Gregory Bateson, key figures of this movement. I then elaborate upon certain premises of cybernetics (Ashby’s coupling mechanism, Bateson’s notion of the myth of power) to further elucidate an intellectual history from which to begin to construct a cybernetic epistemology. I conclude by offering the second-order cybernetic concept of recursivity as a model and method for ethico-epistemological questioning that can account for both the constructive potential and the limitations of cybernetics in science and society.

This article begins with a treatment of Friedrich Nietzsche’s early essay “On Truth and Lie in the Extra-Moral Sense.” The essay is often read, in the deconstructive tradition, as a showcase example of the impossibility of making a literal philosophical claim: is Nietzsche’s claim that all truth is merely metaphorical itself a true statement, or merely a metaphorical one? The present article claims that this supposed paradox relies on the groundless assumption that all philosophy must ultimately be grounded in some unshakeable literal truth. From here, we turn to Edmund Gettier’s famous critique of the widespread notion of knowledge as “justified true belief.” Expanding on Gettier’s point, it is argued that there can only be “justified untrue belief” or “unjustified true belief,” never a belief that is both justified and true at once.

COVID-19 unemployed millions of Americans, many of whom already lacked the financial ability to withstand an economic crisis. Mid-quarantine, politicians began to grapple on what protections for renters would stay in place as the assistance bills came to an end. The COVID-19 rent crisis raised significant moral questions to the American populace – namely, that of the State’s responsibility to care for its citizens. This article examines rent strikes in the context of care ethics. Care ethics contends that our actions have moral weight. What we do matters. Rent strikes sit at the intersection of political practice and care ethics. This article contends that rent strikes provided care when the State did not, and that this lack of care highlights the need for solidarity.

This article critically examines the competitive, adversarial nature of the Western neoliberal style of democracy. Specifically, this article focuses on Amartya Sen’s notion of a “universal democracy” as a means of addressing socio-economic inequalities through Sen’s capability approach. Sen’s capability theory has become an acclaimed and widely used theory to evaluate and understand development and inequalities. However, we employ a distinctive critique by engaging Amartya Sen through Herbert Marcuse’s analysis of one dimensionality and the adversarial nature of Western democracy. We further highlight how contemporary neoliberal society employ a particular, adversarial form of public participation. Through this, we underline the various neoliberal problemata, such as Western idealism, political passivity, and a “flattening of choice,” within contemporary democracies and locate how their competitive, winner-take-all nature has become essential to contemporary, Western democratic models. Consequently, we argue that democracy, as a functional concept and form of public engagement, should be fundamentally re-examined in order to address inequalities.

The “Slicing Problem” is a thought experiment that raises questions for substrate-neutral computational theories of consciousness, including those that specify a certain causal structure for the computation like Integrated Information Theory. The thought experiment uses water-based logic gates to construct a computer in a way that permits cleanly slicing each gate and connection in half, creating two identical computers each instantiating the same computation. The slicing can be reversed and repeated via an on/off switch, without changing the amount of matter in the system. The question is what do different computational theories of consciousness believe is happening to the number and nature of individual conscious units as this switch is toggled. Under a token interpretation, there are now two discrete conscious entities; under a type interpretation, there may remain only one. Both interpretations lead to different implications depending on the adopted theoretical stance. Any route taken either allows mechanisms for “consciousness-multiplying exploits” or requires ambiguous boundaries between conscious entities, raising philosophical and ethical questions for theorists to consider. We discuss resolutions under different theories of consciousness for those unwilling to accept consciousness-multiplying exploits. In particular, we specify three features that may help promising physicalist theories to navigate such thought experiments.