Kapitel in diesem Buch

1. Frontmatter I
2. Contents VII
3. Introduction IX
4. PART I. Finitude and the Divided Self: Kant and the Origins of Romantic Subjectivity
5. 1. Romantic Subjectivity and the Goals of Romance 3
6. 2. The Context of Romantic Subjectivity and Transcendental Idealism: Kant’s First Critique 17
7. 3. Nature, Imagination, and Self-Consciousness: Kant’s Transcendental Deduction 41
8. PART II. Cultural Analogues of Quest Romance: Fichtean Striving and Romantic Irony
9. 4. Fichte and Romanticism 61
10. 5. Interdetermination, Imagination, Striving: Fichte and Some Principles of Quest Romance 83
11. PART III. The Quest for an Adequate Symbol: The Unconscious and the Creative Imagination in Schelling and Coleridge
12. 6. Schelling’s Idealism and the Development of Romantic Quest 99
13. 7. Theory in the Biographie and Coleridge’s Early Poetry 119
14. PART IV. From Infinite Enchantment to Dialectical Imagination: Shelley’s Maturing Quest
15. 8. Alastor: The Disabling Vision 145
16. 9. The Power of Disenchantment: Fichtean Irony and the Creative Imagination in Shelley’s “Mont Blanc” 165
17. ΡART V. “Spirits Which Soar From Ruin”: Byron’s Pilgrimage from Idealist Chest to Heroic Stance
18. 10. Encountering the Actual: Childe Harold and the Limits of Idealism 179
19. Coda: Romantic Humanism and Romantic Quest 203
20. Notes 205
21. Bibliography 229
22. Index 239