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© 2016 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

© 2016 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. Introduction IX
  4. PART I. Finitude and the Divided Self: Kant and the Origins of Romantic Subjectivity
  5. 1. Romantic Subjectivity and the Goals of Romance 3
  6. 2. The Context of Romantic Subjectivity and Transcendental Idealism: Kant’s First Critique 17
  7. 3. Nature, Imagination, and Self-Consciousness: Kant’s Transcendental Deduction 41
  8. PART II. Cultural Analogues of Quest Romance: Fichtean Striving and Romantic Irony
  9. 4. Fichte and Romanticism 61
  10. 5. Interdetermination, Imagination, Striving: Fichte and Some Principles of Quest Romance 83
  11. PART III. The Quest for an Adequate Symbol: The Unconscious and the Creative Imagination in Schelling and Coleridge
  12. 6. Schelling’s Idealism and the Development of Romantic Quest 99
  13. 7. Theory in the Biographie and Coleridge’s Early Poetry 119
  14. PART IV. From Infinite Enchantment to Dialectical Imagination: Shelley’s Maturing Quest
  15. 8. Alastor: The Disabling Vision 145
  16. 9. The Power of Disenchantment: Fichtean Irony and the Creative Imagination in Shelley’s “Mont Blanc” 165
  17. ΡART V. “Spirits Which Soar From Ruin”: Byron’s Pilgrimage from Idealist Chest to Heroic Stance
  18. 10. Encountering the Actual: Childe Harold and the Limits of Idealism 179
  19. Coda: Romantic Humanism and Romantic Quest 203
  20. Notes 205
  21. Bibliography 229
  22. Index 239
Beyond Enchantment
This chapter is in the book Beyond Enchantment
https://doi.org/10.9783/9781512803044-013

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. Introduction IX
  4. PART I. Finitude and the Divided Self: Kant and the Origins of Romantic Subjectivity
  5. 1. Romantic Subjectivity and the Goals of Romance 3
  6. 2. The Context of Romantic Subjectivity and Transcendental Idealism: Kant’s First Critique 17
  7. 3. Nature, Imagination, and Self-Consciousness: Kant’s Transcendental Deduction 41
  8. PART II. Cultural Analogues of Quest Romance: Fichtean Striving and Romantic Irony
  9. 4. Fichte and Romanticism 61
  10. 5. Interdetermination, Imagination, Striving: Fichte and Some Principles of Quest Romance 83
  11. PART III. The Quest for an Adequate Symbol: The Unconscious and the Creative Imagination in Schelling and Coleridge
  12. 6. Schelling’s Idealism and the Development of Romantic Quest 99
  13. 7. Theory in the Biographie and Coleridge’s Early Poetry 119
  14. PART IV. From Infinite Enchantment to Dialectical Imagination: Shelley’s Maturing Quest
  15. 8. Alastor: The Disabling Vision 145
  16. 9. The Power of Disenchantment: Fichtean Irony and the Creative Imagination in Shelley’s “Mont Blanc” 165
  17. ΡART V. “Spirits Which Soar From Ruin”: Byron’s Pilgrimage from Idealist Chest to Heroic Stance
  18. 10. Encountering the Actual: Childe Harold and the Limits of Idealism 179
  19. Coda: Romantic Humanism and Romantic Quest 203
  20. Notes 205
  21. Bibliography 229
  22. Index 239
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