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6 Driven to the margins

  • Brian Baker
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Iain Sinclair
Ein Kapitel aus dem Buch Iain Sinclair

Abstract

This chapter assesses the impact of the Millennium Dome, a structure that is believed to have been a part of an ideological project to negotiate the seeming fracture of a unified British ‘identity’. It introduces the ‘spectator of modernity’, which is the flâneur, who is able to take in the city as a totality, and a formulation that joins together with the subjectivity questioned by the modern nation-state. It then looks at Sinclair's move from the centre to the margins and his interest in studying the repressed, forgotten and suppressed. Finally, it shows how London is marked with histories of oppression and histories of resistance.

Abstract

This chapter assesses the impact of the Millennium Dome, a structure that is believed to have been a part of an ideological project to negotiate the seeming fracture of a unified British ‘identity’. It introduces the ‘spectator of modernity’, which is the flâneur, who is able to take in the city as a totality, and a formulation that joins together with the subjectivity questioned by the modern nation-state. It then looks at Sinclair's move from the centre to the margins and his interest in studying the repressed, forgotten and suppressed. Finally, it shows how London is marked with histories of oppression and histories of resistance.

Heruntergeladen am 31.10.2025 von https://www.degruyterbrill.com/document/doi/10.7765/9781847791603.00012/html
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