2 Whitechapel autopsy
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Brian Baker
Abstract
This chapter examines Sinclair's first novel, White Chappell. It shows that this novel drew upon the events of the autumn of 1888, namely the ‘Whitechapel Murders’ of Jack the Ripper, and even some popular literary novels (A Study in Scarlet and Strange Case of Dr Jekyll and Mr Hyde). From there the discussion focuses on the concept of temporal co-presence and multi-presence, and looks at how Sinclair uses the metaphysic of topographic presence to emphasize the mythic constructions of his narrative. This chapter also considers the ‘haunted’ nature of books and the dissection and division of human bodies.
Abstract
This chapter examines Sinclair's first novel, White Chappell. It shows that this novel drew upon the events of the autumn of 1888, namely the ‘Whitechapel Murders’ of Jack the Ripper, and even some popular literary novels (A Study in Scarlet and Strange Case of Dr Jekyll and Mr Hyde). From there the discussion focuses on the concept of temporal co-presence and multi-presence, and looks at how Sinclair uses the metaphysic of topographic presence to emphasize the mythic constructions of his narrative. This chapter also considers the ‘haunted’ nature of books and the dissection and division of human bodies.
Kapitel in diesem Buch
- Front matter i
- Dedication v
- Contents vii
- Series editor’s foreword ix
- Acknowledgements xi
- Introduction 1
- 1 Space and time, myth and place 33
- 2 Whitechapel autopsy 60
- 3 The widow; or, the critical baroque 80
- 4 Internal exiles 103
- 5 The visual text 117
- 6 Driven to the margins 138
- 7 Borderlands 161
- References 180
- Index 189
Kapitel in diesem Buch
- Front matter i
- Dedication v
- Contents vii
- Series editor’s foreword ix
- Acknowledgements xi
- Introduction 1
- 1 Space and time, myth and place 33
- 2 Whitechapel autopsy 60
- 3 The widow; or, the critical baroque 80
- 4 Internal exiles 103
- 5 The visual text 117
- 6 Driven to the margins 138
- 7 Borderlands 161
- References 180
- Index 189
