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1 From stage to screen

William Gillette and Sherlock Holmes (1916)
  • James Chapman
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Screening Sherlock
This chapter is in the book Screening Sherlock

Abstract

Chapter 1 is focused on the first major feature-length Sherlock Holmes film: the Essanay Manufacturing Company’s Sherlock Holmes (1916). It argues that the theatrical and visual qualities of Doyle’s stories made them ideal material for adaptation for stage and screen. The chapter analyses Gillette’s play of 1899, considering its contemporary reception in the United States and Britain. It argues that the film version of 1916 exemplifies a transitional mode of film-making between the theatrical and the cinematic: it stands on the cusp of the emergence of classical Hollywood cinema. The chapter also considers Samuel Goldwyn’s film of the same play, also entitled Sherlock Holmes (1922), starring John Barrymore as a younger and more romantic lead than Gillette.

Abstract

Chapter 1 is focused on the first major feature-length Sherlock Holmes film: the Essanay Manufacturing Company’s Sherlock Holmes (1916). It argues that the theatrical and visual qualities of Doyle’s stories made them ideal material for adaptation for stage and screen. The chapter analyses Gillette’s play of 1899, considering its contemporary reception in the United States and Britain. It argues that the film version of 1916 exemplifies a transitional mode of film-making between the theatrical and the cinematic: it stands on the cusp of the emergence of classical Hollywood cinema. The chapter also considers Samuel Goldwyn’s film of the same play, also entitled Sherlock Holmes (1922), starring John Barrymore as a younger and more romantic lead than Gillette.

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