Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
3 Whose culture?
Fanzines, politics and agency
-
Matthew Worley
Abstract
This chapter comprises case studies of three fanzines: Jolt, Anathema and Hard as Nails. Each is examined as a means of understanding how fanzines offered space to develop political discourses and/or to define cultural identities in the face of competing media constructions. In their various ways, the fanzines engage with questions of feminism, anarchism and class.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Abstract
This chapter comprises case studies of three fanzines: Jolt, Anathema and Hard as Nails. Each is examined as a means of understanding how fanzines offered space to develop political discourses and/or to define cultural identities in the face of competing media constructions. In their various ways, the fanzines engage with questions of feminism, anarchism and class.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
-
I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
-
II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
-
III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
-
IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
-
I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
-
II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
-
III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
-
IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
