6 Goth zines
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Claire Nally
Abstract
This chapter explores the emergence of goth zine culture through three different zines: Panache, Whippings and Apologies and Propaganda. The main objective is to address the ways in which goth subculture evolved from its underground origins in the late 1970s to the early 1990s, focusing in part on how goth zines moved from DIY and amateur production to an aesthetic which was much more glossy and mainstream
Abstract
This chapter explores the emergence of goth zine culture through three different zines: Panache, Whippings and Apologies and Propaganda. The main objective is to address the ways in which goth subculture evolved from its underground origins in the late 1970s to the early 1990s, focusing in part on how goth zines moved from DIY and amateur production to an aesthetic which was much more glossy and mainstream
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
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I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
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II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
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III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
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IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Foreword xiv
- Acknowledgements xvi
- Introduction 1
-
I: Going underground: process and place
- 1 Doing it ourselves 15
- 2 Zines and history: zines as history 39
- 3 Whose culture? 55
- 4 Invisible women 72
-
II: Communiqués and Sellotape: constructing cultures
- 5 ‘Pam ponders Paul Morley’s cat’ 91
- 6 Goth zines 110
- 7 The evolution of an anarcho-punk narrative, 1978–84 129
- 8 ‘Don’t do as you’re told, do as you think’ 150
- 9 Are you scared to get punky? 170
-
III: Memos from the frontline: locating the source
- 10 Vague post-punk memoirs, 1979–89 191
- 11 ‘Mental liberation issue’ 201
- 12 From Year Zero to 1984 214
- 13 Kick 226
- 14 ‘This is aimed as much at us as at you’ 236
-
IV: Global communications: continuities and distinctions
- 15 Punking the bibliography 245
- 16 Punks against censorship 264
- 17 Contradictory self-definition and organisation 281
- 18 ‘Angry grrrl zines’ 295
- Index 317
