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IV. Some Typical Scenarios

  • Winifred Smith
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The Commedia Dell’Arte
This chapter is in the book The Commedia Dell’Arte
© 2019 Columbia University Press

© 2019 Columbia University Press

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Table of Contents XIII
  4. I. Definition of the Commedia dell’arte 1
  5. II. Origin of the Commedia dell'arte: I. The Mountbanks 21
  6. III. Origin of the Commedia dell'arte, Continued: II. The Academies 67
  7. IV. Some Typical Scenarios 103
  8. V. The Commedia dell’arte in Foreign Countries, 16th and 17th Centuries: France, Germany and Austria, Spain 141
  9. VI. The Commedia dell’arte in Elizabethan and Jacobean England 170
  10. VII. The Transformation of the Commedia dell’arte 200
  11. Appendix A: Scenarios 240
  12. Appendix B: Relations Between English and Italian Drama in the 16th, 17th and 18th 246
  13. Bibliography 255
  14. Index 280
https://doi.org/10.7312/smit93230-004

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Table of Contents XIII
  4. I. Definition of the Commedia dell’arte 1
  5. II. Origin of the Commedia dell'arte: I. The Mountbanks 21
  6. III. Origin of the Commedia dell'arte, Continued: II. The Academies 67
  7. IV. Some Typical Scenarios 103
  8. V. The Commedia dell’arte in Foreign Countries, 16th and 17th Centuries: France, Germany and Austria, Spain 141
  9. VI. The Commedia dell’arte in Elizabethan and Jacobean England 170
  10. VII. The Transformation of the Commedia dell’arte 200
  11. Appendix A: Scenarios 240
  12. Appendix B: Relations Between English and Italian Drama in the 16th, 17th and 18th 246
  13. Bibliography 255
  14. Index 280
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