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Appendix B: Relations Between English and Italian Drama in the 16th, 17th and 18th

© 2019 Columbia University Press

© 2019 Columbia University Press

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Table of Contents XIII
  4. I. Definition of the Commedia dell’arte 1
  5. II. Origin of the Commedia dell'arte: I. The Mountbanks 21
  6. III. Origin of the Commedia dell'arte, Continued: II. The Academies 67
  7. IV. Some Typical Scenarios 103
  8. V. The Commedia dell’arte in Foreign Countries, 16th and 17th Centuries: France, Germany and Austria, Spain 141
  9. VI. The Commedia dell’arte in Elizabethan and Jacobean England 170
  10. VII. The Transformation of the Commedia dell’arte 200
  11. Appendix A: Scenarios 240
  12. Appendix B: Relations Between English and Italian Drama in the 16th, 17th and 18th 246
  13. Bibliography 255
  14. Index 280
The Commedia Dell’Arte
This chapter is in the book The Commedia Dell’Arte
https://doi.org/10.7312/smit93230-009

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Table of Contents XIII
  4. I. Definition of the Commedia dell’arte 1
  5. II. Origin of the Commedia dell'arte: I. The Mountbanks 21
  6. III. Origin of the Commedia dell'arte, Continued: II. The Academies 67
  7. IV. Some Typical Scenarios 103
  8. V. The Commedia dell’arte in Foreign Countries, 16th and 17th Centuries: France, Germany and Austria, Spain 141
  9. VI. The Commedia dell’arte in Elizabethan and Jacobean England 170
  10. VII. The Transformation of the Commedia dell’arte 200
  11. Appendix A: Scenarios 240
  12. Appendix B: Relations Between English and Italian Drama in the 16th, 17th and 18th 246
  13. Bibliography 255
  14. Index 280
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