6. The (Bl)end of History: The Good German and the Intertextual Detective

Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgements vi
4. Preface xi
5. Introduction 1
6. PART ONE: AUTHOR, BRAND, GUERRILLA
7. 1. The Dialectical Signature: Soderbergh as Classical Auteur 13
8. 2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur 37
9. 3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur 57
10. PART TWO: HISTORY, MEMORY, TEXT
11. 4. Searching Low and High: The Limey and the Schizophrenic Detective 75
12. 5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective 89
13. 6. The (Bl)end of History: The Good German and the Intertextual Detective 100
14. PART THREE: CRIME, CAPITAL, GLOBALISATION
15. 7. Genre and Capital: New Crime Wave in the 1990s 115
16. 8. The Ethical Heist: Competing Modes of Capital in the Ocean’s Trilogy 131
17. 9. Trafficking Social Change: The Global Social Problem Film in the 2000s 147
18. Conclusion 164
19. Filmography 167
20. Bibliography 177
21. Index 187