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5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vi
  4. Preface xi
  5. Introduction 1
  6. PART ONE: AUTHOR, BRAND, GUERRILLA
  7. 1. The Dialectical Signature: Soderbergh as Classical Auteur 13
  8. 2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur 37
  9. 3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur 57
  10. PART TWO: HISTORY, MEMORY, TEXT
  11. 4. Searching Low and High: The Limey and the Schizophrenic Detective 75
  12. 5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective 89
  13. 6. The (Bl)end of History: The Good German and the Intertextual Detective 100
  14. PART THREE: CRIME, CAPITAL, GLOBALISATION
  15. 7. Genre and Capital: New Crime Wave in the 1990s 115
  16. 8. The Ethical Heist: Competing Modes of Capital in the Ocean’s Trilogy 131
  17. 9. Trafficking Social Change: The Global Social Problem Film in the 2000s 147
  18. Conclusion 164
  19. Filmography 167
  20. Bibliography 177
  21. Index 187
The Cinema of Steven Soderbergh
This chapter is in the book The Cinema of Steven Soderbergh
https://doi.org/10.7312/dewa16550-006

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vi
  4. Preface xi
  5. Introduction 1
  6. PART ONE: AUTHOR, BRAND, GUERRILLA
  7. 1. The Dialectical Signature: Soderbergh as Classical Auteur 13
  8. 2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur 37
  9. 3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur 57
  10. PART TWO: HISTORY, MEMORY, TEXT
  11. 4. Searching Low and High: The Limey and the Schizophrenic Detective 75
  12. 5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective 89
  13. 6. The (Bl)end of History: The Good German and the Intertextual Detective 100
  14. PART THREE: CRIME, CAPITAL, GLOBALISATION
  15. 7. Genre and Capital: New Crime Wave in the 1990s 115
  16. 8. The Ethical Heist: Competing Modes of Capital in the Ocean’s Trilogy 131
  17. 9. Trafficking Social Change: The Global Social Problem Film in the 2000s 147
  18. Conclusion 164
  19. Filmography 167
  20. Bibliography 177
  21. Index 187
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