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4. Searching Low and High: The Limey and the Schizophrenic Detective
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vi
- Preface xi
- Introduction 1
-
PART ONE: AUTHOR, BRAND, GUERRILLA
- 1. The Dialectical Signature: Soderbergh as Classical Auteur 13
- 2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur 37
- 3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur 57
-
PART TWO: HISTORY, MEMORY, TEXT
- 4. Searching Low and High: The Limey and the Schizophrenic Detective 75
- 5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective 89
- 6. The (Bl)end of History: The Good German and the Intertextual Detective 100
-
PART THREE: CRIME, CAPITAL, GLOBALISATION
- 7. Genre and Capital: New Crime Wave in the 1990s 115
- 8. The Ethical Heist: Competing Modes of Capital in the Ocean’s Trilogy 131
- 9. Trafficking Social Change: The Global Social Problem Film in the 2000s 147
- Conclusion 164
- Filmography 167
- Bibliography 177
- Index 187
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vi
- Preface xi
- Introduction 1
-
PART ONE: AUTHOR, BRAND, GUERRILLA
- 1. The Dialectical Signature: Soderbergh as Classical Auteur 13
- 2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur 37
- 3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur 57
-
PART TWO: HISTORY, MEMORY, TEXT
- 4. Searching Low and High: The Limey and the Schizophrenic Detective 75
- 5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective 89
- 6. The (Bl)end of History: The Good German and the Intertextual Detective 100
-
PART THREE: CRIME, CAPITAL, GLOBALISATION
- 7. Genre and Capital: New Crime Wave in the 1990s 115
- 8. The Ethical Heist: Competing Modes of Capital in the Ocean’s Trilogy 131
- 9. Trafficking Social Change: The Global Social Problem Film in the 2000s 147
- Conclusion 164
- Filmography 167
- Bibliography 177
- Index 187